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Autodesk Flame VFX | 39 Titles

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Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Unstoppable (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon

Starring | Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Shutter Island (2010)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsley

Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Set Fire to the Stars (2014)

Motion Picture | 2D | HD Project | Black & White | 2.39:1 | 97 Minutes

Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones

Starring | Elijah Wood, Celyn Jones, Kelly Reilly, Steven Mackintosh

Cameras | ARRI ALEXA Series Cameras

The Vanishing (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg

Starring | Gerard Butler, Peter Mullan, Connor Swindells, Søren Malling

Cameras | ARRI Cameras

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Sanatorium (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler

Starring | Don Fanelli, Charlie Fersko, DJ Hazard, Lauren Hunter

Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera

No Ordinary Family (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Oliver Bokelberg, Joaquin Sedillo, David Boyd | Editing by | Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen

Starring | Michael Chiklis, Julie Benz, Kay Panabaker, Jimmy Bennett

Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera, Weisscam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

As Brasileiras (2012)

Television Series | 2D | Color |

| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos

Starring | Juliana Paes, Marcos Palmeira, Carla Daniel, Cláudio Tovar

Cameras | Red Epic Camera

Vegas (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson

Starring | Dennis Quaid, Michael Chiklis, Carrie-Anne Moss, Taylor Handley

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Blades of Glory (2007)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Josh Gordon, Will Speck | Cinematography by | Stefan Czapsky | Editing by | Richard Pearson

Starring | Will Ferrell, Jon Heder, Amy Poehler, Will Arnett

Rush Hour 3 (2007)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

Rush Hour 3 | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman

Starring | Jackie Chan, Chris Tucker, Max von Sydow, Hiroyuki Sanada

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Nightmare on Elm Street (2010)

Motion Picture | 2D | Color | 95 Minutes

A Nightmare on Elm Street | ShotOnWhat?

Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury

Starring | Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Get Smart (2008)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Get Smart | ShotOnWhat?

Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson

Starring | Steve Carell, Anne Hathaway, Alan Arkin, Dwayne Johnson

Cameras | Panavision Genesis Camera, Panavision Panastar Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Friday the 13th (2009)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Friday the 13th | ShotOnWhat?

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell

Starring | Jared Padalecki, Amanda Righetti, Derek Mears, Danielle Panabaker

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

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