Dolby | 2925 Titles
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
Baywatch (2017)
Directed by | Seth Gordon | Cinematography by | Eric Steelberg | Editing by | Peter S. Elliot
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Flatliners (2017)
Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Lenses
Moonlight (2016) 
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses
La La Land (2016)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
Skyscraper (2018)
Directed by | Rawson Marshall Thurber | Cinematography by | Robert Elswit | Editing by | Julian Clarke, Michael L. Sale
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Roman J. Israel, Esq. (2017)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses
Roma (2018)
Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime 65 Lenses
The Witch (2015)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses
The Greatest Showman (2017)
Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses
Mudbound (2017)
Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
Get Out (2017)
Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Zoom Lenses
Hacksaw Ridge (2016)
The Shape of Water (2017)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Battle of the Sexes (2017)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin
Avatar: The Way of Water (2022)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin
Cameras | Sony CineAlta VENICE Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens
The Crow (1994)
Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Napoleon (2023)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses
Blonde (2022)
Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson
Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Elvis (2022)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
