Dolby | 2925 Titles
The Sea Beast (2022)
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Glass Onion (2022)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Zeiss Supreme Prime Series Lenses
Puss in Boots: The Last Wish (2022)
Directed by | Joel Crawford, Januel Mercado | Cinematography by | Chris Stover | Editing by | James Ryan
Turning Red (2022)
Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith
Everything Everywhere All at Once (2022) 
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Tár (2022)
Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Empire of Light (2022)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses
Maestro (2023)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro
Lenses | Panavision PVintage Prime Lenses
Close (2022)
Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
El Conde (2023)
Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Mini LF Monochrome Camera
Lenses | Zero Optik Baltar Series Lenses
Anatomy of a Fall (2023)
Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal
Cameras | ARRI ALEXA Mini LF Camera
Perfect Days (2023)
Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer
Cameras | Sony CineAlta VENICE 2 Camera
Lenses | Canon K35 Prime Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Babylon (2022)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses
Nimona (2023)
The Creator (2023)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker
Cameras | Sony ILME-FX3 Camera
Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)
American Fiction (2023)
Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Tribe7 Blackwing7 Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
