Sound Systems » Dolby

Dolby Atmos : 217Dolby Digital : 2307Dolby Digital EX : 62Dolby SR : 187Dolby Surround 7.1 : 95Dolby TrueHD : 5

Dolby | 2925 Titles

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Bad Lieutenant: Port of Call New Orleans (2009)

Motion Picture | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini

Starring | Nicolas Cage, Eva Mendes, Russell M. Haeuser

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Taare Zameen Par (2007)

Motion Picture | Color | 2.39:1 | 165 Minutes

Directed by | Aamir Khan, Amole Gupte | Cinematography by | Satyajit Pande | Editing by | Deepa Bhatia

Starring | Darsheel Safary, Aamir Khan, Tisca Chopra, Vipin Sharma

Cameras | ARRIFLEX 535 Camera

The Big Red One (1980)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor

Starring | Lee Marvin, Mark Hamill, Robert Carradine

Cameras | ARRIFLEX Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Fish Tank (2009)

Motion Picture | 2D | Color | 1.37:1 | 123 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Nicolas Chaudeurge

Starring | Katie Jarvis, Michael Fassbender, Kierston Wareing

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Boy and the Heron (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 124 Minutes

Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi

Starring | Soma Santoki, Masaki Suda, Kô Shibasaki

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 159 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar

Starring | Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

The Banshees of Inisherin (2022)

Motion Picture | 2D | 4K Project | Color | 114 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen

Starring | Colin Farrell, Brendan Gleeson, Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

Elemental (2023)

Motion Picture | 3D | Color | 1.85:1 | 101 Minutes

Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer

Starring | Leah Lewis, Mamoudou Athie, Ronnie Del Carmen

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Triangle of Sadness (2022)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 147 Minutes

Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund

Starring | Thobias Thorwid, Harris Dickinson, Charlbi Dean

Cameras | ARRI ALEXA LF Camera, Red Gemini Camera, Red Helium 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Guillermo del Toro’s Pinocchio (2022)

Movie | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann

Starring | Ewan McGregor, David Bradley, Gregory Mann

Cameras | Canon EOS-1D Mark IV Camera

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

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