Dolby | 2925 Titles
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
Hustlers (2019)
Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter
Cameras | Panavision Millennium DXL2 Camera
Us (2019)
Wonder Woman (2017)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | ARRI Rental Prime 65 Lenses
The Mummy (2017)
Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Happy Death Day (2017)
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
Spartacus (1960)
Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner
Cameras | Technirama Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Tess (1979)
Directed by | Roman Polanski | Cinematography by | Ghislain Cloquet, Geoffrey Unsworth | Editing by | Alastair McIntyre, Tom Priestley
Cameras | Panavision Cameras
WALL·E (2008)
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
The Power of the Dog (2021)
Directed by | Jane Campion | Cinematography by | Ari Wegner | Editing by | Peter Sciberras
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Legends of the Fall (1994)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
Lenses | Canon Lenses, Panavision Lenses
A River Runs Through It (1992)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Robert Estrin, Lynzee Klingman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Glory (1989)
Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
