United States | 1624 Titles
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
The Apostle (1997)
Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
The Beaver (2011)
Andre (1994)
Directed by | George Miller | Cinematography by | Thomas Burstyn | Editing by | Harry Hitner, Patrick Kennedy
Cameras | ARRIFLEX 535 Camera
Lenses | Clairmont Anamorphic Lenses
The Haunting (1999)
Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn
Cameras | Panavision Cameras, VistaVision Cameras
Lenses | Panavision Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
Jennifer 8 (1992)
Directed by | Bruce Robinson | Cinematography by | Conrad L. Hall | Editing by | Conrad Buff IV
Cameras | Panavision Panaflex Platinum Camera
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
The Craft (1996)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
Blade II (2002)
Directed by | Guillermo del Toro | Cinematography by | Gabriel Beristain | Editing by | Peter Amundson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
Mo’ Better Blues (1990)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Street Life (2007)
Directed by | Timothy Willis | Cinematography by | Matthew Fabian, Timothy Willis | Editing by | Timothy Willis
Cameras | Canon XL2 Camera, Panasonic AJ-HDC27 Camera
The Cider House Rules (1999)
Directed by | Lasse Hallström | Cinematography by | Oliver Stapleton | Editing by | Lisa Zeno Churgin
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
