Bob
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Hale
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Mendez
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Carlos Galindo
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Ernesto Cordoba
The Runway (2010)
Directed by: Ian Power
Cinematography by: P.J. Dillon
Edited by: Amine Jaber
Cameras: Red One Camera
Esteban Reyes
'Weeds' Theoretical Love Is Not Dead (2010)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Fran Tarkenton (2010)
Directed by: David Warren
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' A Shoe for a Shoe (2010)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' Felling and Swamping (2010)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' Thwack (2010)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Machetes Up Top (2009)
Directed by: Michael Pressman
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Su-Su-Sucio (2009)
Directed by: Lesli Linka Glatter
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' Super Lucky Happy (2009)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' Wonderful Wonderful (2009)
Directed by: Scott Ellis
Cinematography by: Steven H. Smith
Edited by: Bill Turro
Esteban Reyes
'Weeds' Suck 'n' Spit (2009)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' Van Nuys (2009)
Directed by: Bethany Rooney
Cinematography by: Steven H. Smith
Edited by: David Helfand
Esteban Reyes
'Weeds' A Modest Proposal (2009)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' Where the Sidewalk Ends (2009)
Directed by: Jeremy Podeswa
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' A Distinctive Horn (2009)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Ducks and Tigers (2009)
Directed by: Matt Shakman
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Perro Insano (2009)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' All About My Mom (2009)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' Glue (2009)
Directed by: Michael Pressman
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' No Man Is Pudding (2008)
Directed by: Craig Zisk
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' Excellent Treasures (2008)
Directed by: Julie Anne Robinson
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Esteban Reyes
'Weeds' Yes I Can (2008)
Directed by: Scott Ellis
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' I Am the Table (2008)
Directed by: Adam Bernstein
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' The Love Circle Overlap (2008)
Directed by: Julie Anne Robinson
Cinematography by: Michael Trim
Edited by: David Helfand
Esteban Reyes
'Weeds' If You Work for a Living, Then Why Do You Kill Yourself Working? (2008)
Directed by: Craig Zisk
Cinematography by: Michael Trim
Edited by: Bill Turro
Esteban Reyes
'Weeds' Till We Meet Again (2008)
Directed by: Michael Trim
Cinematography by: Steven H. Smith
Edited by: David Helfand
Esteban Reyes
'Weeds' Head Cheese (2008)
Directed by: Craig Zisk
Cinematography by: Steven H. Smith
Edited by: Bill Turro
Fidel Castro
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Fidel Castro
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Himself - Guest
Chelsea Lately (2007)
Cinematography by: Lee Rose
Edited by: Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses: Fujinon Lenses
Editing System: Avid Editing System
Esteban Reyes
Weeds (2005)
Directed by: Craig Zisk, Michael Trim, Scott Ellis, Julie Anne Robinson, Eric Jewett, Paul Feig, Lev L. Spiro, Tucker Gates, Brian Dannelly, Perry Lang, Ernest R. Dickerson, Michael Pressman, Robert Berlinger, Lee Rose, Arlene Sanford, Burr Steers, Bryan Gordon, Chris Long, Christopher Misiano, Martha Coolidge, Randy Zisk, Paris Barclay, Adam Bernstein, David Steinberg, Lesli Linka Glatter, Jeremy Podeswa, Bethany Rooney, Matt Shakman, Tate Donovan, Michael Uppendahl, David Warren, Phil Abraham, Uta Briesewitz
Edited by: David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton
Cameras: Sony CineAlta F23 Camera
Catalina
Perdita Durango (1997)
Directed by: Álex de la Iglesia
Cinematography by: Flavio Martínez Labiano
Edited by: Teresa Font
