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United States | 1624 Titles

United States 3.00/5 1 Vote

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Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Ben-Hur: A Tale of the Christ (1925)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 143 Minutes

Directed by | Fred Niblo, Charles Brabin, Christy Cabanne, J.J. Cohn, Rex Ingram | Cinematography by | Clyde De Vinna, René Guissart, Percy Hilburn, Karl Struss, Paul Kerschner | Editing by | Lloyd Nosler

Starring | Ramon Novarro, Francis X. Bushman, May McAvoy

Cameras | Akeley 35mm Ciné Camera, Bell & Howell 2709 Camera, Mitchell Standard Camera

Taylor Swift: The Eras Tour (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Sam Wrench | Editing by | Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Dom Whitworth, Mark 'Reg' Wrench

Starring | Taylor Swift, Mike Meadows, Max Bernstein

Rustin (2023)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein

Starring | Colman Domingo, Chris Rock, Glynn Turman

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Rental DNA LF Lenses

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

The Weed Whacker Massacre (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 12 Minutes

Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker

Starring | Meg Ansteensen, Nathan Darrison, Elizabeth A. Devine

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses

Quiz Show (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Robert Redford | Cinematography by | Michael Ballhaus | Editing by | Stu Linder

Starring | Ralph Fiennes, John Turturro, Rob Morrow

Cameras | ARRIFLEX 35mm Cameras

Episodes (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans

Starring | Matt LeBlanc, Stephen Mangan, Tamsin Greig

Cameras | ARRI ALEXA Camera

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.

Starring | Maya Erskine, Anna Konkle, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses

Falling Down (1993)

Motion Picture | 2D | Film Project | Color | 113 Minutes

Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Paul Hirsch

Starring | Michael Douglas, Robert Duvall, Barbara Hershey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

30 Minutes or Less (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 83 Minutes

Directed by | Ruben Fleischer | Cinematography by | Jess Hall | Editing by | Alan Baumgarten

Starring | Jesse Eisenberg, Danny McBride, Nick Swardson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

True Blood (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 55 Minutes

Joyful Noise (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Todd Graff | Cinematography by | David Boyd | Editing by | Kathryn Himoff

Starring | Queen Latifah, Dolly Parton, Keke Palmer

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Weeds (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Michael Trim, Steven H. Smith, Bobby Bukowski, Feliks Parnell, Ethan Phillips | Editing by | David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton

Starring | Mary-Louise Parker, Hunter Parrish, Alexander Gould

Cameras | Sony CineAlta F23 Camera

Raging Bull (1980)

Motion Picture | 2D | Film Project | Black & White, Color | 129 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Cathy Moriarty, Joe Pesci

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Workaholics (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Grant Smith | Editing by | Christian Hoffman, Cortney Carrillo, Dane R. Naimy, David L. Bertman, Kenneth LaMere, Lane Farnham, Adam Lichtenstein, Richard LaBrie, Adam Burr, Evan Ahlgren

Starring | Blake Anderson, Adam Devine, Anders Holm

Cameras | Canon EOS-C300 Camera

Minding the Gap (2018)

Documentary | 2D | Color | 1.33:1 (4x3), 1.85:1 | 93 Minutes

Directed by | Bing Liu | Cinematography by | Bing Liu | Editing by | Joshua Altman, Bing Liu

Starring | Kent Abernathy, Mengyue Bolen, Nina Bowgren

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

Under the Silver Lake (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 139 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV

Starring | Andrew Garfield, Riley Keough, Topher Grace

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses

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