Compositing Supervisor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Compositor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Compositing Supervisor
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Compositing Supervisor
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
2d Supervisor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Sequence Vfx Supervisor
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Lead Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Visual Effects Artist
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Compositing Sequence Supervisor
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Lead Compositor: Framestore
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Pixomondo
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Supervisor: Baseblack
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Baseblack
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Visual Effects Supervisor: Baseblack
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Visual Effects Supervisor: Pre-production, Framestore
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Compositing Supervisor
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Compositor: Framestore CFC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Lead Compositor: Framestore CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Compositor: Double Negative
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Compositing
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
2D Supervisor: Framestore CFC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Compositor: Framestore CFC
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Compositor: Framestore-CFC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Sequence Lead Compositor
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
2D Supervisor
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Lead Compositing Artist: Framestore CFC
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: Framestore CFC
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Compositing Artist
Formula 51 (2001)
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Edited by: David Wu
Cameras: Moviecam Cameras
Compositing Artist: CFC
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositing Artist: CFC
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Supervising Compositor: Das Werk
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Effects Compositor
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Visual Effects Artist: The Film Factory At VTR
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Effects Compositor: The Film Factory At VTR
Cousin Bette (1998)
Directed by: Des McAnuff
Cinematography by: Andrzej Sekula
Effects Compositor: The Film Factory At VTR
Bent (1997)
Directed by: Sean Mathias
Cinematography by: Giorgos Arvanitis
Edited by: Isabelle Lorente
Digital Artist: Digiscope
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg