Conductor / Orchestrator , Conductor / Orchestrator
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Orchestrations
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Conductor / Orchestrator
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Conductor / Orchestrator
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Conductor / Orchestrator
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Conductor / Orchestrator
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Conductor / Orchestrator
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Conductor / Orchestrator
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Orchestrator
'Psych' S.E.I.Z.E. the Day (2014)
Directed by: David Crabtree
Cinematography by: Scott Williams
Edited by: Kelly Stuyvesant
Orchestrator
'Psych' A Nightmare on State Street (2014)
Directed by: James Roday
Cinematography by: Scott Williams
Edited by: Kelly Stuyvesant
Additional Music: Original Big Band Competition Pieces
Whiplash (2014)
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Music Orchestrated And Conducted By
This Is Where I Leave You (2014)
Directed by: Shawn Levy
Cinematography by: Terry Stacey
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA XT Camera
Additional Orchestration
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Conductor / Orchestrator
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Orchestrator
'Psych' No Trout About It (2013)
Directed by: Brad Turner
Cinematography by: Scott Williams
Edited by: David Crabtree
Orchestrator
'Psych' Psych the Musical (2013)
Directed by: Steve Franks
Cinematography by: Scott Williams
Conductor
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Orchestra Conducted By / Orchestrated By
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Orchestrator
Trade of Innocents (2012)
Directed by: Christopher M. Bessette
Cinematography by: Philip Hurn
Edited by: Diane Brunjes
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Conductor / Orchestrator
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Conductor / Orchestrator
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Orchestrator
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Conductor / Orchestrator
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Conductor / Orchestrator
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Orchestrator
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Conductor / Orchestrator
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Orchestra Conductor / Orchestrator
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Conductor / Orchestrator
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Orchestrator - 4 Episodes, 2013-2014
Psych (2006)
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
Conductor / Orchestrator
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Orchestrator
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Conductor / Orchestrator
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Conductor / Orchestrator
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Conductor / Orchestrator
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Conductor / Orchestrator
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Composer: Additional Music
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Composer
Fighting Tommy Riley (2004)
Directed by: Eddie O'Flaherty
Cinematography by: Michael Fimognari
Edited by: Aram Nigoghossian
Orchestrator
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Conductor / Orchestrator
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Additional Orchestrator / Conductor
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Orchestrator
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Conductor / Orchestrator
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Conductor / Orchestrator
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Additional Orchestrations
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Conductor / Orchestrator
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Orchestrator
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Composer
A Rumor of Angels (2000)
Directed by: Peter O'Fallon
Cinematography by: Roy H. Wagner
Edited by: Louise Rubacky
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Conductor / Orchestrator
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Orchestrator
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Orchestrator
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Orchestrator
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Orchestrator
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Conductor / Orchestrator
Smoke Signals (1998)
Directed by: Chris Eyre
Cinematography by: Brian Capener
Edited by: Brian Berdan
Composer: Additional Music / Conductor / Orchestrator
Suicide Kings (1997)
Directed by: Peter O'Fallon
Cinematography by: Christopher Baffa
Edited by: Chris Peppe
Conductor / Orchestrator
Chinese Box (1997)
Directed by: Wayne Wang
Cinematography by: Vilko Filac
Edited by: Christopher Tellefsen
Orchestrator
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Conductor / Orchestrator
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Orchestrator
Mad Love (1995)
Directed by: Antonia Bird
Cinematography by: Fred Tammes
Edited by: Jeff Freeman
Cameras: Panavision Cameras
Conductor / Orchestrator
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Conductor / Orchestrator
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Orchestrator
The Crush (1993)
Directed by: Alan Shapiro
Cinematography by: Bruce Surtees
Edited by: Ian Crafford
Orchestrator
Body of Evidence (1992)
Directed by: Uli Edel
Cinematography by: Douglas Milsome
Edited by: Thom Noble
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Music Supervisor
Ruby (1992)
Directed by: John Mackenzie
Cinematography by: Phil Meheux
Edited by: Richard Trevor
Orchestrator
Grand Tour: Disaster in Time (1992)
Directed by: David Twohy
Cinematography by: Harry Mathias
Conductor
Death Ring (1992)
Directed by: R.J. Kizer
Cinematography by: Glenn Kershaw
Edited by: Kim Secrist
Conductor
Children of the Corn II: The Final Sacrifice (1992)
Directed by: David Price
Cinematography by: Levie Isaacks
Edited by: Barry Zetlin
Composer: Additional Music , Conductor / Music Supervisor / Orchestrator
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
