Foley Recordist
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Foley Recordist
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Foley Recordist
'Penny Dreadful' The Blessed Dark (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Recordist
'Penny Dreadful' Perpetual Night (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Michele Conroy
Foley Recordist
'Penny Dreadful' Ebb Tide (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Foley Recordist
'Penny Dreadful' No Beast So Fierce (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Foley Recordist
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Foley Recordist
'Penny Dreadful' A Blade of Grass (2016)
Directed by: Toa Fraser
Cinematography by: Nigel Willoughby
Edited by: Aaron Marshall
Foley Recordist
'Penny Dreadful' Good and Evil Braided Be (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Foley Recordist
'Penny Dreadful' Predators Far and Near (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Foley Recordist
'Penny Dreadful' The Day Tennyson Died (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Foley Recordist
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Foley Recordist
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Foley Recordist
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
A Beautiful Planet (2016)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Cameras: Canon EOS-C500 Camera
Foley Recordist
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Foley Recording Mixer
'Penny Dreadful' Fresh Hell (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Recordist
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Foley Recordist
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Foley Recordist
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Foley Recordist
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Foley Recordist
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Foley Recordist
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recordist
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recordist
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Foley Recordist
'Penny Dreadful' And They Were Enemies (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Foley Recordist
'Penny Dreadful' Evil Spirits in Heavenly Places (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Foley Recording Mixer
'Penny Dreadful' The Nightcomers (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Foley Recording Mixer
'Penny Dreadful' Verbis Diablo (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Foley Editor: Footsteps Post-Production Sound, Inc.
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Foley Recordist
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Foley Recordist / Foley Recording Mixer - 14 Episodes, 2015-2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Foley Recordist
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Foley Recordist
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Foley Recordist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Foley Recordist
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Recordist - 8 Episodes, 2015-2016
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Foley Recordist
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Recordist
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Foley Recordist
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Foley Recordist
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Foley Recordist
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Foley Recording Assistant
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Foley Recordist
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recordist
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Recording Assistant
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Foley Recordist
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Foley Recordist
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Recordist
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Foley Recordist
Too Big to Fail (2011)
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Foley Recording Assistant
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Foley Recording Assistant
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Foley Recordist
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Foley Recordist
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Foley Recording Assistant
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Foley Recording Mixer
The Book of Caleb (2008)
Directed by: Matthew von Manahan
Cinematography by: Mike Gioulakis
Edited by: Adele Romanski
Foley Assistant
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Foley Recording Assistant
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
The TV Set (2006)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Edited by: Tara Timpone
Foley Recording Mixer
Me and You and Everyone We Know (2005)
Directed by: Miranda July
Cinematography by: Chuy Chávez
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Foley Recording Assistant
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Foley Recording Assistant
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Foley Recording Assistant
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Foley Assistant
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Foley Recording Assistant
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
