Adam Kopald

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Ambulance | ShotOnWhat?

Sound Designer: E2

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Shazam! | ShotOnWhat?

Sound Effects Editor

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Skyscraper | ShotOnWhat?

Sound Fx Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Sound Effects Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Beauty and the Beast | ShotOnWhat?

Sound Effects Editor

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

The Mummy | ShotOnWhat?

Sound Effects Editor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Tomorrowland | ShotOnWhat?

Sound Effects Editor

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

The Revenant | ShotOnWhat?

Sound Effects Editor

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Sound Effects Editor

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Oblivion | ShotOnWhat?

Sound Effects Editor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Gangster Squad | ShotOnWhat?

Sound Effects Editor

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

To the Wonder | ShotOnWhat?

Sound Effects Editor

To the Wonder (2012)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Amazing Spider-Man | ShotOnWhat?

Sound Editor

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Super 8 | ShotOnWhat?

Sound Effects Editor

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Sound Effects Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Captain America: The First Avenger | ShotOnWhat?

Sound Effects Editor

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Rango | ShotOnWhat?

Sound Editor

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Sound Effects Editor

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

TRON | ShotOnWhat?

Sound Effects Editor

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Sorcerer's Apprentice | ShotOnWhat?

Sound Effects Editor

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

G-Force | ShotOnWhat?

Sound Effects Editor

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Jonas Brothers: The 3D Concert Experience | ShotOnWhat?

Supervising Sound Editor

Jonas Brothers: The 3D Concert Experience (2009)

Directed by: Bruce Hendricks

Cinematography by: Mitchell Amundsen, Reed Smoot

Edited by: Michael Tronick

College Road Trip | ShotOnWhat?

Sound Editor

College Road Trip (2008)

Directed by: Roger Kumble

Cinematography by: Theo van de Sande

Edited by: Roger Bondelli

Speed Racer | ShotOnWhat?

Sound Effects Editor

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Underdog | ShotOnWhat?

Sound Effects Editor

Underdog (2007)

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Accepted | ShotOnWhat?

Sound Effects Editor

Accepted (2006)

Directed by: Steve Pink

Cinematography by: Matthew F. Leonetti

Edited by: Scott Hill

Cameras: Moviecam Cameras

The Santa Clause 3: The Escape Clause | ShotOnWhat?

Supervising Sound Editor

The Santa Clause 3: The Escape Clause (2006)

Directed by: Michael Lembeck

Cinematography by: Robbie Greenberg

Edited by: David Finfer

Cursed | ShotOnWhat?

Sound Effects Editor

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Ice Princess | ShotOnWhat?

Sound Effects Editor

Ice Princess (2005)

Directed by: Tim Fywell

Cinematography by: David Hennings

Edited by: Janice Hampton

Sky High | ShotOnWhat?

Sound Effects Editor

Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Confessions of a Teenage Drama Queen | ShotOnWhat?

Supervising Sound Editor

Confessions of a Teenage Drama Queen (2004)

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Raising Helen | ShotOnWhat?

Sound Effects Editor

Raising Helen (2004)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Sky Captain and the World of Tomorrow | ShotOnWhat?

Sound Effects Editor

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

Bad Boys II | ShotOnWhat?

Sound Effects Editor

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Kangaroo Jack | ShotOnWhat?

Sound Effects Editor

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Dickie Roberts: Former Child Star | ShotOnWhat?

Sound Effects Editor

Dickie Roberts: Former Child Star (2003)

Directed by: Sam Weisman

Cinematography by: Thomas E. Ackerman

Edited by: Roger Bondelli

Bad Company | ShotOnWhat?

Sound Editor

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

The Country Bears | ShotOnWhat?

Sound Effects Editor

The Country Bears (2002)

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Max Keeble's Big Move | ShotOnWhat?

Sound Editor

Max Keeble's Big Move (2001)

Directed by: Tim Hill

Cinematography by: Arthur Albert

Edited by: Tony Lombardo, Peck Prior

Cameras: Moviecam Compact Camera

Pearl Harbor | ShotOnWhat?

Sound Editor

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Princess Diaries | ShotOnWhat?

Sound Editor

The Princess Diaries (2001)

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

Coyote Ugly | ShotOnWhat?

Sound Effects Editor

Coyote Ugly (2000)

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Gone in Sixty Seconds | ShotOnWhat?

Sound Effects Editor

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Duets | ShotOnWhat?

Sound Editor

Duets (2000)

Directed by: Bruce Paltrow

Cinematography by: Paul Sarossy

Edited by: Gerald B. Greenberg

Teaching Mrs. Tingle | ShotOnWhat?

Sound Editor

Teaching Mrs. Tingle (1999)

Directed by: Kevin Williamson

Cinematography by: Jerzy Zielinski

Edited by: Debra Neil-Fisher

The 13th Warrior | ShotOnWhat?

Sound Fx Editor

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music of the Heart | ShotOnWhat?

Sound Effects Editor

Music of the Heart (1999)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Gregg Featherman, Patrick Lussier

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Stir of Echoes | ShotOnWhat?

Sound Effects Editor

Stir of Echoes (1999)

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

Armageddon | ShotOnWhat?

Sound Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Enemy of the State | ShotOnWhat?

Sound Editor

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Red Corner | ShotOnWhat?

Sound Editor

Red Corner (1997)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Telling Lies in America | ShotOnWhat?

Sound Editor

Telling Lies in America (1997)

Directed by: Guy Ferland

Cinematography by: Reynaldo Villalobos

Edited by: Jill Savitt

Anna Karenina | ShotOnWhat?

Sound Effects Editor

Anna Karenina (1997)

Directed by: Bernard Rose

Cinematography by: Daryn Okada

Edited by: Victor Du Bois

Mr. Magoo | ShotOnWhat?

Foley Editor

Mr. Magoo (1997)

Directed by: Stanley Tong

Cinematography by: Jingle Ma

Edited by: Michael R. Miller, Stuart H. Pappé, David Rawlins

Speed 2: Cruise Control | ShotOnWhat?

Sound Editor

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Eddie | ShotOnWhat?

Sound Effects Editor

Eddie (1996)

Directed by: Steve Rash

Cinematography by: Victor J. Kemper

Edited by: Richard Halsey

Homeward Bound II: Lost in San Francisco | ShotOnWhat?

Effects Editor

Homeward Bound II: Lost in San Francisco (1996)

Directed by: David R. Ellis

Cinematography by: Jack Conroy

Edited by: Peter E. Berger, Michael A. Stevenson

Houseguest | ShotOnWhat?

Sound Effects Editor

Houseguest (1995)

Directed by: Randall Miller

Cinematography by: Jerzy Zielinski

Edited by: Eric A. Sears

Mighty Morphin Power Rangers: The Movie | ShotOnWhat?

Sound Effects Editor

Mighty Morphin Power Rangers: The Movie (1995)

Directed by: Bryan Spicer

Cinematography by: Paul Murphy

Edited by: Wayne Wahrman

Rush | ShotOnWhat?

Assistant Sound Editor

Rush (1991)

Directed by: Lili Fini Zanuck

Cinematography by: Kenneth MacMillan

Edited by: Mark Warner

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