First Assistant Director: Additional Photography Los Angeles / First Assistant Director: Aerial Unit Lake Powell
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
First Assistant Director: Tampa
'Unbreakable Kimmy Schmidt' Kimmy Says Bye! (2019)
Directed by: Beth McCarthy-Miller
Cinematography by: John Inwood
Edited by: Kyle Gilman
First Assistant Director: Second Unit
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
First Assistant Director: Los Angeles
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
First Assistant Director: Second Unit
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Second Assistant Director: Las Vegas Unit
Sleepless (2017)
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Second Second Assistant Director: Second Unit
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Additional Second Assistant Director
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Set Medic: Second Unit: Colorado
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
First Assistant Director: Second Unit
'Justified' Fate's Right Hand (2015)
Directed by: Michael Dinner
Cinematography by: Stefan von Bjorn
First Assistant Director - 1 Episode, 2019
Unbreakable Kimmy Schmidt (2015)
Directed by: Tristram Shapeero, Michael Engler, Beth McCarthy-Miller, Jeff Richmond, Claire Scanlon, Ken Whittingham, Todd Holland, Linda Mendoza, Maggie Carey, Robert Carlock, Jaffar Mahmood, Don Scardino, Nicole Holofcener, Steve Buscemi, Shawn Levy, John Riggi, Gail Mancuso, Claire Cowperthwaite, Rhys Thomas, Jude Weng
Cinematography by: John Inwood
Edited by: Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner
Cameras: Red Epic Dragon Camera, Red Helium (Weapon) 8K
Set Medic: Argentina, Montana, Los Angeles
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Second Assistant Director: Additional Photography
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Additional Second Assistant Director
'Justified' Wrong Roads (2014)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Additional Second Assistant Director
'Justified' The Kids Aren't All Right (2014)
Directed by: Bill Johnson
Cinematography by: Francis Kenny
Edited by: Steven Nevius
Additional Second Assistant Director
'Justified' A Murder of Crowes (2014)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Additional Second Assistant Director
'Justified' Good Intentions (2014)
Directed by: Dean Parisot
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Additional Second Assistant Director
'Justified' Over the Mountain (2014)
Directed by: Gwyneth Horder-Payton
Cinematography by: Francis Kenny
Additional Second Assistant Director
'Justified' Shot All to Hell (2014)
Directed by: Adam Arkin
Cinematography by: Francis Kenny
Edited by: Steven Nevius
Additional Second Assistant Director
'Justified' Kill the Messenger (2014)
Directed by: Don Kurt
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Additional Second Assistant Director
'Justified' Raw Deal (2014)
Directed by: Bill Johnson
Cinematography by: Richard Crudo
Additional Second Assistant Director
'Justified' Whistle Past the Graveyard (2014)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Second Second Assistant Director: Additional Photography
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Second Second Assistant Director: Los Angeles
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Additional Second Assistant Director
'Justified' Weight (2014)
Directed by: John Dahl
Cinematography by: Francis Kenny
Additional Second Assistant Director
'Justified' The Toll (2014)
Directed by: Jon Avnet
Cinematography by: Francis Kenny
Additional Second Assistant Director
'Justified' Starvation (2014)
Directed by: Michael Pressman
Cinematography by: Richard Crudo
Additional Second Assistant Director
'Justified' Restitution (2014)
Directed by: Adam Arkin
Cinematography by: Stefan von Bjorn
Second Assistant Director: Second Unit
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Set Medic
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Medic
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Set Medic: Second Unit
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Additional Second Assistant Director / First Assistant Director - 14 Episodes, 2014-2015
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Set Medic
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Set Medic
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Set Medic: Action Unit
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Set Medic: Second Unit
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Set Medic: Action Unit
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Set Medic
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Medic
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Set Medic
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Set Medic: Second Unit
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Set Medic
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Medic
Toolbox Murders (2004)
Directed by: Tobe Hooper
Cinematography by: Steve Yedlin
Edited by: Andrew Cohen
Set Medic
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Set Medic
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Set Medic: Second Unit
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
