Deborah La Mia Denaver

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Marriage Story | ShotOnWhat?

Makeup Department Head

Marriage Story (2019)

Directed by: Noah Baumbach

Cinematography by: Robbie Ryan

Edited by: Jennifer Lame

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Avengers: Endgame | ShotOnWhat?

Makeup Artist: Ms. Johansson

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Love, Simon | ShotOnWhat?

Makeup Artist: Ms. Garner

Love, Simon (2018)

Directed by: Greg Berlanti

Cinematography by: John Guleserian

Edited by: Harry Jierjian

Cameras: ARRI ALEXA XT Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Makeup Artist: Ms. Johansson

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ghost in the Shell | ShotOnWhat?

Key Makeup Artist: Ms. Johansson, Los Angeles

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

I, Tonya | ShotOnWhat?

Makeup Department Head

I, Tonya (2017)

Directed by: Craig Gillespie

Cinematography by: Nicolas Karakatsanis

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Leitz Summilux-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Makeup Artist: Ms. Johansson

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

"True Detective" Other Lives | ShotOnWhat?

Makeup Artist

'True Detective' Other Lives (2015)

Television Episode

Directed by: John Crowley

Cinematography by: Nigel Bluck

Edited by: Chris Figler

"True Detective" Church in Ruins | ShotOnWhat?

Makeup Artist

'True Detective' Church in Ruins (2015)

Television Episode

Directed by: Miguel Sapochnik

Cinematography by: Nigel Bluck

Edited by: Alex Hall, Byron Smith

"True Detective" Omega Station | ShotOnWhat?

Makeup Artist

'True Detective' Omega Station (2015)

Television Episode

Directed by: John Crowley

Cinematography by: Nigel Bluck

Edited by: Chris Figler, Byron Smith

"True Detective" Black Maps and Motel Rooms | ShotOnWhat?

Makeup Artist

'True Detective' Black Maps and Motel Rooms (2015)

Television Episode

Directed by: Daniel Attias

Cinematography by: Nigel Bluck

Edited by: Chris Figler

Guardians of the Galaxy | ShotOnWhat?

Makeup Department Head - Additional Photography

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Dawn of the Planet of the Apes | ShotOnWhat?

Key Makeup Artist: Additional Photography

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Horrible Bosses 2 | ShotOnWhat?

Makeup Department Head

Horrible Bosses 2 (2014)

Directed by: Sean Anders

Cinematography by: Julio Macat

Edited by: Eric Kissack

Cameras: ARRI ALEXA XT Camera

Lenses: Leitz Summilux-C Series Lenses

True Detective | ShotOnWhat?

Makeup Artist - 4 Episodes, 2015

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Don Jon | ShotOnWhat?

Makeup Artist: Ms. Johansson

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Saving Mr. Banks | ShotOnWhat?

Co-department Head Makeup

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Makeup Department Head

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Scary Movie 5 | ShotOnWhat?

Department Head Makeup: Additional Photography

Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

Seven Psychopaths | ShotOnWhat?

Department Head Makeup Artist

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Odd Life of Timothy Green | ShotOnWhat?

Makeup Department Head

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Total Recall | ShotOnWhat?

Makeup Artist: Mr. Farrell

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Just Go with It | ShotOnWhat?

Makeup Artist

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Super 8 | ShotOnWhat?

Makeup Department Head

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Horrible Bosses | ShotOnWhat?

Makeup Department Head

Horrible Bosses (2011)

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Crazy, Stupid, Love. | ShotOnWhat?

Makeup Artist: Julianne Moore / Makeup Department Head

Crazy, Stupid, Love. (2011)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Iron Man 2 | ShotOnWhat?

Key Makeup Artist

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Valentine's Day | ShotOnWhat?

Makeup Department Head

Valentine's Day (2010)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Invention of Lying | ShotOnWhat?

Makeup Artist: Jennifer Garner

The Invention of Lying (2009)

Directed by: Ricky Gervais, Matthew Robinson

Cinematography by: Tim Suhrstedt

Edited by: Chris Gill

G-Force | ShotOnWhat?

Makeup Department Head

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Ghosts of Girlfriends Past | ShotOnWhat?

Makeup Artist: Ms. Garner

Ghosts of Girlfriends Past (2009)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Iron Man | ShotOnWhat?

Makeup Department Head

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Kingdom | ShotOnWhat?

Makeup Artist: Ms. Garner

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

13 Going on 30 | ShotOnWhat?

Makeup Artist: Ms. Garner

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Polar Express | ShotOnWhat?

Key Makeup Artist

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

S.W.A.T. | ShotOnWhat?

Makeup Department Head

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Daredevil | ShotOnWhat?

Makeup Department Head

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Spider-Man | ShotOnWhat?

Makeup Department Head

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black II | ShotOnWhat?

Key Makeup Artist

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Catch Me If You Can | ShotOnWhat?

Makeup Artist

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

15 Minutes | ShotOnWhat?

Makeup Artist

15 Minutes (2001)

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

The Fast and the Furious | ShotOnWhat?

Makeup Artist

The Fast and the Furious (2001)

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

What Lies Beneath | ShotOnWhat?

Key Makeup Artist

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Makeup Artist

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Green Mile | ShotOnWhat?

Makeup Artist

The Green Mile (1999)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

The Story of Us | ShotOnWhat?

Makeup Artist

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

The Other Sister | ShotOnWhat?

Makeup Artist

The Other Sister (1999)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Blade | ShotOnWhat?

Makeup Artist

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Contact | ShotOnWhat?

Makeup Artist: Mr. Woods

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Truth About Cats & Dogs | ShotOnWhat?

Key Makeup Artist

The Truth About Cats & Dogs (1996)

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

2 Days in the Valley | ShotOnWhat?

Key Makeup Artist

2 Days in the Valley (1996)

Directed by: John Herzfeld

Cinematography by: Oliver Wood

Edited by: Jim Miller, Wayne Wahrman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ghosts of Mississippi | ShotOnWhat?

Makeup Artist

Ghosts of Mississippi (1996)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Moonlight and Valentino | ShotOnWhat?

Makeup Artist: Ms. Goldberg

Moonlight and Valentino (1995)

Directed by: David Anspaugh

Cinematography by: Julio Macat

Edited by: David Rosenbloom

Corrina, Corrina | ShotOnWhat?

Makeup Artist

Corrina, Corrina (1994)

Directed by: Jessie Nelson

Cinematography by: Bruce Surtees

Edited by: Lee Percy

Airheads | ShotOnWhat?

Makeup Supervisor

Airheads (1994)

Directed by: Michael Lehmann

Cinematography by: John Schwartzman

Edited by: Stephen Semel

Next Door | ShotOnWhat?

Makeup Artist

Next Door (1994)

Television Movie

Directed by: Tony Bill

Cinematography by: Thomas Del Ruth

Edited by: Axel Hubert

Home Alone 2: Lost in New York | ShotOnWhat?

Assistant Makeup Artist: Los Angeles

Home Alone 2: Lost in New York (1992)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Diggstown | ShotOnWhat?

Hair Stylist: Mr. Woods

Diggstown (1992)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Don Zimmerman

The Hard Way | ShotOnWhat?

Hair Stylist: James Woods

The Hard Way (1991)

Directed by: John Badham

Cinematography by: Donald McAlpine, Robert Primes

Edited by: Tony Lombardo, Frank Morriss

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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