Digital Artist: Artemple - Hollywood
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Visualization Artist: The Third Floor Inc
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Visualization Artist: The Third Floor
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Visual Effects Artist
'Mindhunter' Episode #1.4 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Artist
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Artist
'Mindhunter' Episode #1.2 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Visual Effects Artist
'Mindhunter' Episode #1.5 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Visual Effects Artist
'Mindhunter' Episode #1.7 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Artist
'Mindhunter' Episode #1.10 (2017)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Visual Effects Artist - 6 Episodes, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Digital Artist: Kelvin Optical
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Artist: Kelvin Optical
10 Cloverfield Lane (2016)
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Digital Artist: Kelvin Optical
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Matchmove Artist: Pixomondo
'Sleepy Hollow' The Indispensable Man (2014)
Directed by: Adam Kane
Cinematography by: Robert LaBonge
Edited by: Imelda Betiong
Matchmove Artist: Pixomondo
'Sleepy Hollow' The Vessel (2014)
Directed by: Romeo Tirone
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Matchmove Artist: Pixomondo
'Sleepy Hollow' Bad Blood (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Neil Felder
Matchmove Artist: Pixomondo / Matchmove Supervisor: Pixomondo - 11 Episodes, 2013-2014
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Matchmove Artist: Pixomondo
'Sleepy Hollow' Pilot (2013)
Directed by: Len Wiseman
Cinematography by: Kramer Morgenthau
Edited by: John Refoua
Matchmove Supervisor: Pixomondo
'Sleepy Hollow' Blood Moon (2013)
Directed by: Ken Olin
Cinematography by: Arthur Albert
Edited by: Barbara Gerard
Matchmove Supervisor: Pixomondo
'Sleepy Hollow' For the Triumph of Evil (2013)
Directed by: John F. Showalter
Cinematography by: Arthur Albert
Edited by: Imelda Betiong
Matchmove Supervisor: Pixomondo
'Sleepy Hollow' The Lesser Key of Solomon (2013)
Directed by: Paul A. Edwards
Cinematography by: John R. Leonetti
Edited by: Neil Felder
Matchmove Artist: Pixomondo
'Sleepy Hollow' The Sin Eater (2013)
Directed by: Ken Olin
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Matchmove Artist: Pixomondo
'Sleepy Hollow' Necromancer (2013)
Directed by: Paul A. Edwards
Cinematography by: Robert LaBonge
Edited by: Scott Gamzon
Matchmove Artist: Pixomondo
'Sleepy Hollow' Sanctuary (2013)
Directed by: Liz Friedlander
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Matchmove Artist: Pixomondo
'Sleepy Hollow' The Golem (2013)
Directed by: J. Miller Tobin
Cinematography by: Robert LaBonge
Edited by: Neil Felder
Camera Technical Director: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Match Move Artist: Method Studios
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
3D Artist: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Tracking Supervisor: CafeFX
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Visual Effects Artist: 3D
Miss March (2009)
Cinematography by: Anthony B. Richmond
Edited by: Tim Mirkovich
Matchmover: MPC
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Matchmove Artist: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Matchmover: MPC / Rotoscope Artist: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Matchmove Artist: MPC
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Matchmove Artist: MPC
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Matchmove Supervisor: MPC
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Matchmove And Rotoscoping: MPC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Tracker/matchmover
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Matchmover
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
3D Tracker: Dream Quest Images
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Matchmove Lead: Rhythm & Hues
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Match Mover: Sony Pictures Imageworks Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
