Shane Harford

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Bohemian Rhapsody | ShotOnWhat?

Supervising Storeman Reshoots

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

The Mummy | ShotOnWhat?

Chargehand Props

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

C/H Prop Dresser

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Assassin's Creed | ShotOnWhat?

Chargehand Prop Dresser

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Pan | ShotOnWhat?

C/H Dressing Prop / Dressing Props

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Kingsman: The Secret Service | ShotOnWhat?

Chargehand Dresser / Dressing Props

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Edge of Tomorrow | ShotOnWhat?

Dressing Prop

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Philomena | ShotOnWhat?

Prop Hand

Philomena (2013)

Directed by: Stephen Frears

Cinematography by: Robbie Ryan

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Camera

Prometheus | ShotOnWhat?

Dressing Propman

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Anna Karenina | ShotOnWhat?

Additional Propman

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Les Misérables | ShotOnWhat?

Dressing Props

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

X: First Class | ShotOnWhat?

Dressing Props

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hugo | ShotOnWhat?

Props Dresser

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Centurion | ShotOnWhat?

Stand-by Props: Second Unit, Scotland

Centurion (2010)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Chris Gill

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Lightworks Editing System

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Props Dresser

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Robin Hood | ShotOnWhat?

Dressing Prop

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Shanghai | ShotOnWhat?

Dressing Props

Shanghai (2010)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Dressing Props

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Quantum of Solace | ShotOnWhat?

Dressing Props

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

"The Color of Magic" Part 1: The Colour of Magic | ShotOnWhat?

Dressing Props

'The Color of Magic' Part 1: The Colour of Magic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

"The Color of Magic" Part 2: The Light Fantastic | ShotOnWhat?

Dressing Props

'The Color of Magic' Part 2: The Light Fantastic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

The Color of Magic | ShotOnWhat?

Dressing Props - 2 Episodes, 2008

The Color of Magic (2008)

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Oxford Murders | ShotOnWhat?

Stand-by Props

The Oxford Murders (2008)

Directed by: Álex de la Iglesia

Cinematography by: Kiko de la Rica

Edited by: Alejandro Lázaro

The Walker | ShotOnWhat?

Dressing Props

The Walker (2007)

Directed by: Paul Schrader

Cinematography by: Chris Seager

Edited by: Julian Rodd

Cameras: ARRI Cameras

Basic Instinct 2 | ShotOnWhat?

Dressing Props

Basic Instinct 2 (2006)

Directed by: Michael Caton-Jones

Cinematography by: Gyula Pados

Edited by: István Király, John Scott

The Queen | ShotOnWhat?

Dressing Props

The Queen (2006)

Directed by: Stephen Frears

Cinematography by: Affonso Beato

Edited by: Lucia Zucchetti

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Dressing Props

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Dressing Props

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Nanny McPhee | ShotOnWhat?

Dressing Propsman

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

King Arthur | ShotOnWhat?

Dressing Props

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Agent Cody Banks 2: Destination London | ShotOnWhat?

Dressing Props

Agent Cody Banks 2: Destination London (2004)

Directed by: Kevin Allen

Cinematography by: Denis Crossan

Edited by: Andrew MacRitchie

Cameras: Panavision Cameras

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