Special Effects Coordinator
Sleepless (2017)
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Special Effects Foreman
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Foreman
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Foreman
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Special Effects Foreman
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Foreman
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Foreman
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Special Effects Foreman
The Collection (2012)
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Special Effects Foreman
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Special Effects General Foreman
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Special Effects Foreman
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Special Effects Foreman
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Special Effects Foreman
'The Vampire Diaries' Children of the Damned (2010)
Directed by: Marcos Siega
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Foreman
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Foreman
'The Vampire Diaries' Unpleasantville (2010)
Directed by: Liz Friedlander
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Foreman
'The Vampire Diaries' Bloodlines (2010)
Directed by: David Barrett
Edited by: Shawn Paper
Special Effects Foreman
Life as We Know It (2010)
Directed by: Greg Berlanti
Cinematography by: Andrew Dunn
Edited by: Jim Page
Special Effects Foreman
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Special Effects Foreman
'The Vampire Diaries' Family Ties (2009)
Directed by: Guy Ferland
Cinematography by: Paul M. Sommers
Edited by: Lisa Willinger
Special Effects Foreman
'The Vampire Diaries' Friday Night Bites (2009)
Directed by: John Dahl
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Foreman
'The Vampire Diaries' You're Undead to Me (2009)
Directed by: Kevin Bray
Cinematography by: Paul M. Sommers
Edited by: Lisa Willinger
Special Effects Foreman - 12 Episodes, 2009-2010
The Vampire Diaries (2009)
Directed by: Chris Grismer, Joshua Butler, Michael A. Allowitz, Marcos Siega, Pascal Verschooris, Kellie Cyrus, J. Miller Tobin, John Behring, Jeffrey G. Hunt, Rob Hardy, Lance Anderson, Leslie Libman, Paul Wesley, John Dahl, Wendey Stanzler, Jesse Warn, Darren Genet, David Von Ancken, Liz Friedlander, Garreth Stover, Julie Plec, Geoffrey Wing Shotz, Ian Somerhalder, Kevin Bray, Tony Solomons, Michael Karasick, Rick Bota, Ernest R. Dickerson, Guy Ferland, David Barrett, Charles Beeson, Ralph Hemecker, Patrick R. Norris, Elizabeth Allen Rosenbaum, Dennis Smith, Jeff Woolnough, David Jackson, Michael Katleman, Paul M. Sommers, Darnell Martin, Brad Turner, Deborah Chow, Rashaad Ernesto Green, Tanya Hamilton, James L. Thompson III, Carol Banker
Cinematography by: Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters
Edited by: Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Foreman
'The Vampire Diaries' The Turning Point (2009)
Directed by: J. Miller Tobin
Cinematography by: Paul M. Sommers
Edited by: Shawn Paper
Special Effects Foreman
'The Vampire Diaries' History Repeating (2009)
Directed by: Marcos Siega
Edited by: Lance Anderson
Special Effects Foreman
'The Vampire Diaries' 162 Candles (2009)
Directed by: Rick Bota
Cinematography by: Paul M. Sommers
Special Effects Foreman
'The Vampire Diaries' Haunted (2009)
Directed by: Ernest R. Dickerson
Cinematography by: Paul M. Sommers
Edited by: Michael Ruscio
Special Effects Foreman
'The Vampire Diaries' Lost Girls (2009)
Directed by: Marcos Siega
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Supervisor
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Special Effects Technician
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Special Effects Foreman
'The Vampire Diaries' The Night of the Comet (2009)
Directed by: Marcos Siega
Cinematography by: Paul M. Sommers
Edited by: Lance Anderson
Special Effects Technician: Washington D.C.
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Set Foreman
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Special Effects Foreperson
Never Back Down (2008)
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Special Effects Coordinator
Recount (2008)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Special Effects Foreman
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Special Effects Coordinator
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Special Effects Technician
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Special Effects: First Unit
Transporter 2 (2005)
Directed by: Louis Leterrier
Cinematography by: Mitchell Amundsen
Special Effects Set Coordinator
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Special Effects Technician
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Special Effects Coordinator
Radio (2003)
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Special Effects Technician
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Special Effects Technician
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Technician
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Special Effects Technician
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Special Effects
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Special Effects Foreman
Jeepers Creepers (2001)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Special Effects Foreman
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Mechanical Effects Technician / Special Effects Foreman
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Special Effects Foreman
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Special Effects Coordinator
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Special Effects Supervisor
Muppets from Space (1999)
Directed by: Tim Hill
Cinematography by: Alan Caso
Special Effects Coordinator
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Special Effects Crew: Florida
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Effects Technician
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Effects
The Substitute (1996)
Directed by: Robert Mandel
Cinematography by: Bruce Surtees
Edited by: Alex Mackie
Special Effects Foreman / Special Effects: SFX Supervisor And Key Set Foreman
Tom and Huck (1995)
Directed by: Peter Hewitt
Cinematography by: Bobby Bukowski
Edited by: David Freeman
Special Effects
China Moon (1994)
Directed by: John Bailey
Cinematography by: Willy Kurant
Cameras: Panavision Cameras
Special Effects
Ace Ventura: Pet Detective (1994)
Directed by: Tom Shadyac
Cinematography by: Julio Macat
Edited by: Don Zimmerman
Special Effects
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Carpenter
CrissCross (1992)
Directed by: Chris Menges
Cinematography by: Ivan Strasburg
Edited by: Tony Lawson
Special Effects Technician
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Special Effects
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
