Special Effects Consultant
Kandahar (2023)
Movie
Directed by: Ric Roman Waugh
Cinematography by: MacGregor
Edited by: Colby Parker Jr.
Special Effects Coordinator: Second Unit
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Special Effects Coordinator: Additional Photography
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Special Effects Coordinator For Additional Photography
'Game of Thrones' The Winds of Winter (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Special Effects Supervisor: Additional Photography
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Special Effects Supervisor For Additional Photography
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Special Effects Supervisor
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Special Effects Coordinator
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Special Effects Coordinator
Taken 3 (2014)
Directed by: Olivier Megaton
Cinematography by: Eric Kress
Special Effects Coordinator: Los Angeles
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Supervisor
Reach Me (2014)
Directed by: John Herzfeld
Cinematography by: Vern Nobles
Edited by: Steven Cohen
Cameras: Red Epic Camera
Special Effects Foreman
'Sons of Anarchy' You Are My Sunshine (2013)
Directed by: Paris Barclay
Cinematography by: Paul Maibaum
Edited by: Lauren Pendergrass
Special Effects Foreman
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Special Effects Foreman
'Sons of Anarchy' Straw (2013)
Directed by: Paris Barclay
Cinematography by: Paul Maibaum
Edited by: Paul Fontaine
Special Effects Foreman / Special Effects
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Special Effects Supervisor
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Special Effects Foreman
'Sons of Anarchy' Aon Rud Persanta (2013)
Directed by: Peter Weller
Cinematography by: Paul Maibaum
Edited by: Doc Crotzer
Special Effects Foreman
'Sons of Anarchy' A Mother's Work (2013)
Directed by: Kurt Sutter
Cinematography by: Paul Maibaum
Edited by: Paul Fontaine
Special Effects Foreman
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Supervisor
'Californication' JFK to LAX (2012)
Directed by: John Dahl
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' Exile on Main St. (2011)
Directed by: David Von Ancken
Edited by: Todd Desrosiers
Special Effects Foreman: Los Angeles
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Special Effects Coordinator For Additional Photography - 1 Episode, 2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Pyrotechnician / Special Effects Technician
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Special Effects Foreman
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Special Effects Coordinator
'Californication' The Apartment (2009)
Directed by: Adam Bernstein
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' Verities & Balderdash (2009)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Special Effects Coordinator
'Californication' The Land of Rape and Honey (2009)
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' Wish You Were Here (2009)
Directed by: David Duchovny
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Foreman - 4 Episodes, 2013
Sons of Anarchy (2008)
Directed by: Paris Barclay, Guy Ferland, Gwyneth Horder-Payton, Peter Weller, Billy Gierhart, Kurt Sutter, Stephen Kay, Adam Arkin, Terrence O'Hara, Paul Maibaum, Phil Abraham, Allen Coulter, Michael Dinner, Charles Haid, Tim Hunter, Seith Mann, Mario Van Peebles, Karen Gaviola, Charles Murray, Craig Yahata
Special Effects Coordinator
'Californication' Slip of the Tongue (2008)
Directed by: David Duchovny
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' The Great Ashby (2008)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' Vaginatown (2008)
Directed by: Ken Whittingham
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' The Raw & the Cooked (2008)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' No Way to Treat a Lady (2008)
Directed by: John Dahl
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Special Effects Foreman: Additional Photography, U.S.
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Special Effects Foreman
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Coordinator
'Californication' The Last Waltz (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Special Effects Coordinator
'Californication' Turn the Page (2007)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' The Devil's Threesome (2007)
Directed by: John Dahl
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' Filthy Lucre (2007)
Directed by: Scott Z. Burns
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Special Effects Coordinator
'Californication' California Son (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Special Effects Coordinator
'Californication' Girls, Interrupted (2007)
Directed by: Tucker Gates
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' Absinthe Makes the Heart Grow Fonder (2007)
Directed by: Ken Whittingham
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Special Effects Coordinator
'Californication' LOL (2007)
Directed by: Bart Freundlich
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Special Effects Coordinator
'Californication' Fear and Loathing at the Fundraiser (2007)
Directed by: Michael Lembeck
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Special Effects Coordinator
'Californication' The Whore of Babylon (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Coordinator
'Californication' Hell-A Woman (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Special Effects Car Shop Foreman: California
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Special Effects Foreman: Second Unit
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Special Effects Foreman
Grindhouse (2007)
Special Effects Coordinator / Special Effects Supervisor - 22 Episodes, 2007-2012
Californication (2007)
Directed by: David Von Ancken, Adam Bernstein, John Dahl, Bart Freundlich, Michael Lehmann, David Duchovny, Seith Mann, Scott Winant, Michael Weaver, Stephen Hopkins, Ken Whittingham, Scott Z. Burns, Tucker Gates, Michael Lembeck, Daniel Ducovny, Jake Kasdan, Beth McCarthy-Miller, Helen Hunt, Millicent Shelton, Eric Stoltz
Edited by: Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Special Effects Rigging/foreman: Go-Mobile Effects, New York
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Special Effects General Foreman
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Special Effects Foreman
Waist Deep (2006)
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Special Effects Technician
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Special Effects
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Special Effects Technician
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects Technician
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Special Effects Technician
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Special Effects Technician
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Special Effects Technician
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Special Effects Assistant
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Special Effects Assistant: Los Angeles
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Pyrotechnician
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Special Effects: Second Unit
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman