Special Effects Foreman
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
Special Effects Foreman
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Special Effects Foreman
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Special Effects Foreman
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Special Effects Foreman
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Special Effects
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Special Effects
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Special Effects
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Special Effects Foreman
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Special Effects
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Special Effects Foreman
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Pyrotechnician: New Deal Studios
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman
'Grey's Anatomy' Take It Back (2014)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Special Effects Foreman
'Grey's Anatomy' You've Got to Hide Your Love Away (2014)
Directed by: Ron Underwood
Cinematography by: Herbert Davis
Edited by: Joe Mitacek
Special Effects Foreman
'Grey's Anatomy' Throwing It All Away (2014)
Directed by: Chris Hayden
Cinematography by: Herbert Davis
Edited by: David Greenspan
Special Effects Foreman
'Grey's Anatomy' We Gotta Get Out of This Place (2014)
Directed by: Susan Vaill
Cinematography by: Herbert Davis
Edited by: Stacy Katzman
Special Effects Foreman
'Grey's Anatomy' Do You Know? (2014)
Directed by: Chandra Wilson
Cinematography by: Herbert Davis
Edited by: Joe Mitacek
Special Effects Foreman
'Grey's Anatomy' You Be Illin' (2014)
Directed by: Nicole Rubio
Cinematography by: Herbert Davis
Edited by: David Greenspan
Special Effects Foreman
'Grey's Anatomy' I'm Winning (2014)
Directed by: Kevin McKidd
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Special Effects Foreman
'Grey's Anatomy' Go It Alone (2014)
Directed by: Mark Jackson
Cinematography by: Herbert Davis
Edited by: Joe Mitacek
Special Effects Foreman
'Grey's Anatomy' Change of Heart (2014)
Directed by: Rob Greenlea
Cinematography by: Herbert Davis
Edited by: David Greenspan
Special Effects Foreman
'Grey's Anatomy' We Are Never Ever Getting Back Together (2014)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Special Effects Foreman
'Grey's Anatomy' Everything I Try to Do, Nothing Seems to Turn Out Right (2014)
Directed by: Bill D'Elia
Cinematography by: Herbert Davis
Edited by: Joe Mitacek
Special Effects Foreman
'Grey's Anatomy' Fear (of the Unknown) (2014)
Cinematography by: Herbert Davis
Edited by: David Greenspan
Special Effects Foreman
'Grey's Anatomy' Everybody's Crying Mercy (2013)
Directed by: Tony Phelan
Cinematography by: Herbert Davis
Edited by: David Greenspan
Special Effects Technician
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Rigging Foreman
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Special Effects Rigging Foreman
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Technician
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Pre-rigging Foreman
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Assistant
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Special Effects Technician
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Assistant - 1 Episode, 2010
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Special Effects Assistant
'Hawaii Five-0' Pilot (2010)
Directed by: Len Wiseman
Cinematography by: Gabriel Beristain
Edited by: Nicolas De Toth
Special Effects Assistant
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Effects
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Technician
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Foreperson
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Special Effects Technician
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Special Effects Technician
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Special Effects Assistant
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Special Effects Technician
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Special Effects Technician
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Special Effects Foreman - 13 Episodes, 2013-2014
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Special Effects Assistant
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Special Effects Foreman
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Special Effects Technician
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Special Effects Technician
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Special Effects Assistant
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Assistant
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Special Effects Technician: Underwater Unit
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Marine Assistant
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
