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Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
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Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
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Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
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Two Lovers and a Bear (2016)
Directed by: Kim Nguyen
Cinematography by: Nicolas Bolduc
Edited by: Richard Comeau
Cameras: ARRI ALEXA XT Camera
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It's Only the End of the World (2016)
Directed by: Xavier Dolan
Cinematography by: André Turpin
Edited by: Xavier Dolan
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X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
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Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
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X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
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The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
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Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
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Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
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The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
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RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
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White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
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Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
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Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
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Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
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On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
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Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
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Starbuck (2011)
Directed by: Ken Scott
Cinematography by: Pierre Gill
Edited by: Yvann Thibaudeau
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Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
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Marécages (2011)
Directed by: Guy Édoin
Cinematography by: Serge Desrosiers
Edited by: Mathieu Bouchard-Malo
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Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
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Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
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Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
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Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
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Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
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Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
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Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
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Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
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The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
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The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
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I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
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Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
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The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
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The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
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The Last Kiss (2006)
Directed by: Tony Goldwyn
Cinematography by: Tom Stern
Edited by: Lisa Zeno Churgin
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Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
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The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
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King's Ransom (2005)
Directed by: Jeffrey W. Byrd
Cinematography by: Robert McLachlan
Edited by: Jeffrey Cooper
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Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
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Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
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The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
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Battle of the Brave (2004)
Directed by: Jean Beaudin
Cinematography by: Louis de Ernsted
Cameras: ARRIFLEX Camera, Moviecam Cameras
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Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
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Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
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Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
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The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
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The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
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Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Second Assistant Camera: "b" Camera
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Production Assistant
Arrival II (1998)
Directed by: Kevin Tenney
Cinematography by: Bruno Philip
Lenses: Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
