David V. Butler

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The Batman | ShotOnWhat?

Adr Editor

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Sonic the Hedgehog 2 | ShotOnWhat?

Dialogue/adr Supervisor

Sonic the Hedgehog 2 (2022)

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

"Stranger Things" Chapter One: The Hellfire Club | ShotOnWhat?

Dialogue Editor

'Stranger Things' Chapter One: The Hellfire Club (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Dean Zimmerman

"Stranger Things" Chapter Two: Vecna's Curse | ShotOnWhat?

Dialogue Editor

'Stranger Things' Chapter Two: Vecna's Curse (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Six: The Dive | ShotOnWhat?

Dialogue Editor

'Stranger Things' Chapter Six: The Dive (2022)

Television Episode

Directed by: Nimród Antal

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo, Dean Zimmerman

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Dialogue Editor

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

Sonic the Hedgehog | ShotOnWhat?

Supervising Dialogue/adr Editor

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Jojo Rabbit | ShotOnWhat?

Dialogue/adr Editor

Jojo Rabbit (2019)

Directed by: Taika Waititi

Cinematography by: Mihai Malaimare Jr.

Edited by: Tom Eagles, Yana Gorskaya

Cameras: ARRI ALEXA SXT Plus Camera

Lenses: Hawk V-Lite Lenses, Hawk Vantage One Lenses

The Meg | ShotOnWhat?

Dialogue Editor: E2

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Battle of the Sexes | ShotOnWhat?

Dialogue/adr Editor

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Fast 8 | ShotOnWhat?

Dialogue Editor

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

"Mr. Robot" eps2.9_pyth0n-pt1.p7z | ShotOnWhat?

Dialogue Editor

'Mr. Robot' eps2.9_pyth0n-pt1.p7z (2016)

Television Episode

Directed by: Sam Esmail

Cinematography by: Tod Campbell

Edited by: Franklin Peterson

All I See Is You | ShotOnWhat?

Dialogue Editor

All I See Is You (2016)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Hughes Winborne

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision G Series Anamorphic Lenses

The Huntsman: Winter's War | ShotOnWhat?

Adr Editor / Supervising Dialogue/adr Editor

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Stranger Things | ShotOnWhat?

Dialogue Editor - 3 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

"Mr. Robot" eps2.9_pyth0n-pt2.p7z | ShotOnWhat?

Dialogue Editor

'Mr. Robot' eps2.9_pyth0n-pt2.p7z (2016)

Television Episode

Directed by: Sam Esmail

Cinematography by: Tod Campbell

Edited by: Franklin Peterson

Mr. Robot | ShotOnWhat?

Dialogue Editor - 2 Episodes, 2016

Mr. Robot (2015)

Television Series

Directed by: Sam Esmail, Jim McKay, Tricia Brock, Deborah Chow, Nisha Ganatra, Niels Arden Oplev, Christoph Schrewe

Cinematography by: Tod Campbell, Tim Ives

Edited by: Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson

Cameras: Red Epic Dragon Camera

Lenses: Cooke 5/i Lenses, Cooke S4/i Lenses, Leitz Summicron-C Series Lenses

Editing System: Avid Editing System

The Amazing Spider-Man 2 | ShotOnWhat?

Dialogue Editor

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

300: Rise of an Empire | ShotOnWhat?

Dialogue Editor

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

American Sniper | ShotOnWhat?

Dialogue/adr Editor

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Dialogue Editor

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Transcendence | ShotOnWhat?

Diaogue Editor

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Godzilla | ShotOnWhat?

Dialogue/adr Editor

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

RED 2 | ShotOnWhat?

Supervising Dialogue Editor

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Gangster Squad | ShotOnWhat?

Dialogue Editor

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Hangover Part III | ShotOnWhat?

Supervising Dialogue Editor

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Argo | ShotOnWhat?

Dialogue Editor

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Three Stooges | ShotOnWhat?

Supervising Dialogue Editor

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

The Hangover Part II | ShotOnWhat?

Supervising Dialogue Editor

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Tangled | ShotOnWhat?

Dialogue Editor

Tangled (2010)

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Knight and Day | ShotOnWhat?

Dialogue Editor

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Ramona and Beezus | ShotOnWhat?

Dialogue Editor

Ramona and Beezus (2010)

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: John Bailey

Edited by: Jane Moran

Due Date | ShotOnWhat?

Supervising Dialogue Editor

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Terminator Salvation | ShotOnWhat?

Supervising Dialogue Editor

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Sisterhood of the Traveling Pants 2 | ShotOnWhat?

Supervising Dialogue Editor

The Sisterhood of the Traveling Pants 2 (2008)

Directed by: Sanaa Hamri

Cinematography by: Jim Denault

Edited by: Melissa Kent

Nights in Rodanthe | ShotOnWhat?

Dialogue Editor

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Yes Man | ShotOnWhat?

Supervising Dialogue Editor

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

The Seeker: The Dark Is Rising | ShotOnWhat?

Dialogue Editor

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

Live Free or Die Hard | ShotOnWhat?

Supervising Dialogue Editor

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Miami Vice | ShotOnWhat?

Supervising Dialogue Editor

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

The Break-Up | ShotOnWhat?

Dialogue Editor

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

Click | ShotOnWhat?

Dialogue Editor

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Deja Vu | ShotOnWhat?

Dialogue Editor

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Glory Road | ShotOnWhat?

Dialogue Editor

Glory Road (2006)

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Dialogue Editor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

In Her Shoes | ShotOnWhat?

Dialogue Editor

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

The Three Burials of Melquiades Estrada | ShotOnWhat?

Dialogue Editor

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Spanglish | ShotOnWhat?

Dialogue Editor

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Dodgeball: A True Underdog Story | ShotOnWhat?

Dialogue Editor

Dodgeball: A True Underdog Story (2004)

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

National Treasure | ShotOnWhat?

Dialogue Editor

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

The Life Aquatic with Steve Zissou | ShotOnWhat?

Dialogue Editor

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Man on Fire | ShotOnWhat?

Dialogue Editor

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Lizzie McGuire Movie | ShotOnWhat?

Sound Editor

The Lizzie McGuire Movie (2003)

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Something's Gotta Give | ShotOnWhat?

Dialogue Editor

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

The Scorpion King | ShotOnWhat?

Additional Sound Editor

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Divine Secrets of the Ya-Ya Sisterhood | ShotOnWhat?

Adr Editor , Dialogue Editor

Divine Secrets of the Ya-Ya Sisterhood (2002)

Directed by: Callie Khouri

Cinematography by: John Bailey

Edited by: Andrew Marcus

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Eyeball Eddie | ShotOnWhat?

Additional Dialogue Editor

Eyeball Eddie (2001)

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Matthew Jensen

Edited by: Brett Hedlund, Tripp Reed

The Contender | ShotOnWhat?

Assistant Sound Editor

The Contender (2000)

Directed by: Rod Lurie

Cinematography by: Denis Maloney

Edited by: Michael Jablow

Hellraiser: Inferno | ShotOnWhat?

Dialogue Supervisor

Hellraiser: Inferno (2000)

Direct to Video

Directed by: Scott Derrickson

Cinematography by: Nathan Hope

Edited by: Kirk M. Morri

All the Pretty Horses | ShotOnWhat?

Dialogue Editor

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Learning Curve | ShotOnWhat?

Sound Editor

The Learning Curve (1999)

Directed by: Eric Schwab

Cinematography by: Michael Hofstein

Edited by: Adam C. Frank

Mystery Men | ShotOnWhat?

Assistant Sound Editor

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Jackie Brown | ShotOnWhat?

Sound Effects Librarian

Jackie Brown (1997)

Directed by: Quentin Tarantino

Cinematography by: Guillermo Navarro

Edited by: Sally Menke

Cameras: Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

The Pallbearer | ShotOnWhat?

Post-production Coordinator

The Pallbearer (1996)

Directed by: Matt Reeves

Cinematography by: Robert Elswit

Edited by: Stan Salfas

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