Visual Effects Coordinator
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Visual Effects Coordinator
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Production Coordinator, Visual Effects Producer
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Coordinator
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
3d Stereoscopic Production Coordinator, Visual Effects Coordinator
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Visual Effects Coordinator
'Person of Interest' .exe (2016)
Directed by: Greg Plageman
Cinematography by: Dave Insley
Edited by: Lola Popovac
Visual Effects Coordinator
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Visual Effects Coordinator - 8 Episodes, 2016
11.22.63 (2016)
Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald
Cameras: Red Epic Dragon Camera
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' The Team (2016)
Directed by: Elodie Keene
Edited by: Kelly Stuyvesant
Visual Effects Coordinator
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Visual Effects Coordinator
'Person of Interest' Reassortment (2016)
Directed by: Kenneth Fink
Cinematography by: Dave Insley
Edited by: Ryan Malanaphy
Visual Effects Coordinator
'Person of Interest' Sotto Voce (2016)
Directed by: Margot Lulick
Cinematography by: Dave Insley
Edited by: Lola Popovac
Visual Effects Coordinator
'Person of Interest' The Day the World Went Away (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Dave Insley
Visual Effects Coordinator
'Person of Interest' Synecdoche (2016)
Directed by: Tim Matheson
Cinematography by: Dave Insley
Edited by: Ryan Malanaphy
Visual Effects Coordinator
'Person of Interest' Return 0 (2016)
Directed by: Chris Fisher
Cinematography by: Dave Insley
Edited by: Mark Conte
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Bouncing Back (2016)
Directed by: Ron Underwood
Edited by: Kelly Stuyvesant
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' The Inside Man (2016)
Directed by: John Terlesky
Edited by: Eric Litman
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Parting Shot (2016)
Directed by: Michael Zinberg
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Watchdogs (2016)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Spacetime (2016)
Directed by: Kevin Tancharoen
Edited by: Eric Litman
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Paradise Lost (2016)
Directed by: Wendey Stanzler
Visual Effects Coordinator
'11.22.63' The Rabbit Hole (2016)
Directed by: Kevin Macdonald
Cinematography by: David Katznelson
Edited by: Dorian Harris
Visual Effects Coordinator
'11.22.63' Other Voices, Other Rooms (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Visual Effects Coordinator
'11.22.63' The Eyes of Texas (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Visual Effects Coordinator
'11.22.63' The Truth (2016)
Directed by: James Franco
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Visual Effects Coordinator
'11.22.63' Happy Birthday, Lee Harvey Oswald (2016)
Directed by: John David Coles
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' The Singularity (2016)
Directed by: Garry A. Brown
Edited by: Eric Litman
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Failed Experiments (2016)
Directed by: Wendey Stanzler
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Emancipation (2016)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Absolution (2016)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Visual Effects Coordinator
'Agents of S.H.I.E.L.D.' Ascension (2016)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Visual Effects Coordinator
'11.22.63' Soldier Boy (2016)
Directed by: James Kent
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Visual Effects Coordinator
'11.22.63' The Day in Question (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Department Manager: Deluxe 3D
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Production Supervisor
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Department Manager: Deluxe 3D
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Roto Manager: Stereo D
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Department Manager: Deluxe 3D
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Stereoscopic Manager
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Department Manager: Deluxe 3D
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Department Manager: Deluxe 3D
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Department Manager: Deluxe 3D
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Production Coordinator: Deluxe
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
3d Conversion: Stereo D
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Department Manager
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Department Manager: Deluxe 3D
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Coordinator - 12 Episodes, 2016
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Roto Manager: Stereo D
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Roto Manager: Stereo D
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Department Manager: Deluxe 3D
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Department Manager: Deluxe 3D
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Department Manager: Deluxe 3D
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Stereo Production Coordinator: Stereo D
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Production Coordinator
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Production Coordinator: Deluxe 3D
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Production Coordinator: Deluxe 3D
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Production Assistant: Stereo D
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Coordinator - 6 Episodes, 2016
Person of Interest (2011)
Directed by: Chris Fisher, Richard J. Lewis, Frederick E.O. Toye, Jeffrey G. Hunt, Stephen Surjik, Stephen Williams, Kenneth Fink, Helen Shaver, Charles Beeson, Kevin Bray, Stephen Semel, Jeff T. Thomas, Sylvain White, Alrick Riley, Kate Woods, Colin Bucksey, Milan Cheylov, Steven DePaul, David Semel, Dennis Smith, Alex Zakrzewski, Brad Anderson, Jon Cassar, Félix Enríquez Alcalá, Clark Johnson, Larry Teng, David Von Ancken, James Whitmore Jr., Tricia Brock, John Dahl, Omar Madha, Jonathan Nolan, Jeffrey Lee Gibson, Kevin Hooks, Michael Offer, Margot Lulick, Tim Matheson, Greg Plageman, Maja Vrvilo
Cinematography by: Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski
Edited by: Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Editing System: Avid Editing System
Production Coordinator: Deluxe
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Visual Effects Production Assistant: Stereo D
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Production Coordinator: Deluxe
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Department Manager: Deluxe 3D - 3D Version 2013
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
