Supervising Sound Editor / Re-recording Mixer
Eileen (2023)
Movie
Directed by: William Oldroyd
Cinematography by: Ari Wegner
Edited by: Nick Emerson
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer / Supervising Sound Editor
Before I Fall (2017)
Directed by: Ry Russo-Young
Cinematography by: Michael Fimognari
Edited by: Joe Landauer
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses
Re-recording Mixer / Supervising Sound Editor
'Broad City' Sliding Doors (2017)
Directed by: Lucia Aniello
Cinematography by: Chris Teague
Edited by: Jessica Brunetto
Re-recording Mixer / Supervising Sound Editor
'Broad City' Twaining Day (2017)
Directed by: Lucia Aniello
Cinematography by: Chris Teague
Edited by: Jessica Brunetto
Re-recording Mixer / Supervising Sound Editor
'Broad City' Just the Tips (2017)
Directed by: Neil Daly
Cinematography by: Chris Teague
Re-recording Mixer / Supervising Sound Editor
'Broad City' Mushrooms (2017)
Directed by: Nicholas Jasenovec
Cinematography by: Chris Teague
Re-recording Mixer / Supervising Sound Editor
'Broad City' Abbi's Mom (2017)
Directed by: Nicholas Jasenovec
Cinematography by: Chris Teague
Edited by: Jon Higgins
Re-recording Mixer / Supervising Sound Editor
'Broad City' Witches (2017)
Directed by: Abbi Jacobson
Cinematography by: Chris Teague
Re-recording Mixer / Supervising Sound Editor
'Broad City' Florida (2017)
Directed by: Ilana Glazer
Cinematography by: Chris Teague
Edited by: Jon Philpot
Re-recording Mixer / Supervising Sound Editor
'Broad City' House-Sitting (2017)
Directed by: Abbi Jacobson
Cinematography by: Chris Teague
Re-recording Mixer / Supervising Sound Editor
'Broad City' Bedbugs (2017)
Directed by: Ilana Glazer
Cinematography by: Chris Teague
Re-recording Mixer / Supervising Sound Editor
'Broad City' Friendiversary (2017)
Directed by: Nicholas Jasenovec
Cinematography by: Chris Teague
Edited by: Jessica Brunetto
Re-recording Mixer / Supervising Sound Editor
'Broad City' Two Chainz (2016)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
'Broad City' Co-Op (2016)
Directed by: Ryan McFaul
Cinematography by: Steven Capitano Calitri
Edited by: Jon Philpot
Re-recording Mixer / Supervising Sound Editor
'Broad City' Game Over (2016)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Nick Paley
Re-recording Mixer / Supervising Sound Editor
'Broad City' Rat Pack (2016)
Directed by: Ryan McFaul
Cinematography by: Steven Capitano Calitri
Edited by: Jon Philpot
Re-recording Mixer / Supervising Sound Editor
'Broad City' 2016 (2016)
Directed by: Todd Biermann
Cinematography by: Steven Capitano Calitri
Re-recording Mixer / Supervising Sound Editor
'Broad City' Philadelphia (2016)
Directed by: Todd Biermann
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
'Broad City' B&B-NYC (2016)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Jon Philpot
Re-recording Mixer / Supervising Sound Editor
'Broad City' Burning Bridges (2016)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
'Broad City' Getting There (2016)
Directed by: Todd Biermann
Cinematography by: Steven Capitano Calitri
Re-recording Mixer / Supervising Sound Editor
'Broad City' Jews on a Plane (2016)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Re-recording Mixer / Supervising Sound Editor
'Broad City' In Heat (2015)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Mochalatta Chills (2015)
Directed by: Michael Blieden
Cinematography by: Steven Capitano Calitri
Edited by: Alex Minnick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Wisdom Teeth (2015)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Re-recording Mixer / Supervising Sound Editor
'Broad City' Knockoffs (2015)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Alex Minnick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Hashtag FOMO (2015)
Directed by: Jeff Tomsic
Cinematography by: Steven Capitano Calitri
Edited by: Alex Minnick
Re-recording Mixer / Supervising Sound Editor
'Broad City' The Matrix (2015)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Citizen Ship (2015)
Directed by: Michael Blieden
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Kirk Steele (2015)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
'Broad City' Coat Check (2015)
Directed by: Jeff Tomsic
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
'Broad City' St. Mark's (2015)
Directed by: Nicholas Jasenovec
Cinematography by: Steven Capitano Calitri
Edited by: Laura Weinberg
Re-recording Mixer / Supervising Sound Editor
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Re-recording Mixer / Supervising Sound Editor
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Re-recording Mixer / Supervising Sound Editor - 40 Episodes, 2014-2017
Broad City (2014)
Directed by: Lucia Aniello, Nicholas Jasenovec, John Lee, Ilana Glazer, Abbi Jacobson, Todd Biermann, Michael Blieden, Jeff Tomsic, Ryan McFaul, Amy Poehler, Neil Daly, Lilly Burns, Paul W. Downs, Nick Paley
Edited by: Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer / Supervising Sound Editor
'Broad City' What a Wonderful World (2014)
Directed by: Lucia Aniello
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Pu$$y Weed (2014)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Edited by: Nick Mougis
Re-recording Mixer / Supervising Sound Editor
'Broad City' Working Girls (2014)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' The Lockout (2014)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Nick Mougis
Re-recording Mixer / Supervising Sound Editor
'Broad City' Fattest Asses (2014)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Re-recording Mixer / Supervising Sound Editor
'Broad City' Stolen Phone (2014)
Directed by: Lucia Aniello
Cinematography by: Steven Capitano Calitri
Edited by: Nick Mougis
Re-recording Mixer / Supervising Sound Editor
'Broad City' Hurricane Wanda (2014)
Directed by: John Lee
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Destination Wedding (2014)
Directed by: Nicholas Jasenovec
Cinematography by: Steven Capitano Calitri
Edited by: Elizabeth Merrick
Re-recording Mixer / Supervising Sound Editor
'Broad City' Apartment Hunters (2014)
Directed by: Nicholas Jasenovec
Cinematography by: Steven Capitano Calitri
Edited by: Nick Mougis
Re-recording Mixer / Supervising Sound Editor
'Broad City' The Last Supper (2014)
Directed by: Amy Poehler
Cinematography by: Steven Capitano Calitri
Re-recording Mixer / Supervising Sound Editor
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Re-recording Mixer / Supervising Sound Editor
Begin Again (2013)
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer / Supervising Sound Editor
Thanks for Sharing (2012)
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Side by Side (2012)
Directed by: Christopher Kenneally
Cinematography by: Chris Cassidy
Supervising Dialogue Editor
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Sound Mixer - 2 Episodes, 2012
Love & Hip Hop: Atlanta (2012)
Edited by: Mark Augustine, Anthony Rosato, Allison Anastasio, Sylvia Waliga, Amir Adelar Minder, Erik Haslett, Tyler Fausnaught, Courtney Sommers, Scott Martin, Korey Caldwell, Grisel Grullon, Avery Harvin, Michael Niemcewicz, Brendan Sherman, Joe DeShano, Wesley Swinnen, Hudie Ayalon, Mary DeChambres, David Kuriyama, Jeremy Presner, Ben Slatkin, Sosse Misserlian, Q. DeChambres, Jeff Thurlow, Mike Verna, Brian Chamberlain, Tony Gargano, Eric Moorman
Cameras: Canon Cameras
Lenses: Canon Lenses
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
The Music Never Stopped (2011)
Directed by: Jim Kohlberg
Cinematography by: Stephen Kazmierski
Edited by: Keith Reamer
Re-recording Mixer / Sound Effects Editor / Supervising Sound Editor
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Re-recording Mixer / Supervising Sound Editor
The Art of Getting By (2011)
Directed by: Gavin Wiesen
Cinematography by: Ben Kutchins
Edited by: Mollie Goldstein
Re-recording Mixer / Supervising Sound Editor
The Shore (2011)
Directed by: Terry George
Cinematography by: Michael McDonough
Edited by: Joe Landauer
Supervising Sound Editor
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Re-recording Mixer / Supervising Sound Designer
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Re-recording Mixer / Supervising Sound Editor
Notorious (2009)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Re-recording Mixer / Supervising Sound Editor
Labor Pains (2009)
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Re-recording Mixer / Supervising Sound Editor
Homecoming (2009)
Directed by: Morgan J. Freeman
Edited by: Keith Reamer
Re-recording Mixer / Supervising Sound Editor
Diminished Capacity (2008)
Directed by: Terry Kinney
Cinematography by: Vanja Cernjul
Edited by: Tim Streeto
Re-recording Mixer / Supervising Sound Editor
Trucker (2008)
Directed by: James Mottern
Cinematography by: Lawrence Sher
Edited by: Deirdre Slevin
Re-recording Mixer / Supervising Sound Editor
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Re-recording Mixer / Supervising Sound Editor
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Supervising Sound Editor
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Supervising Sound Editor
New York City Serenade (2007)
Directed by: Frank Whaley
Cinematography by: Ryan Samul
Edited by: Miran Miosic
Re-recording Mixer / Supervising Sound Editor
A Thousand Years of Good Prayers (2007)
Directed by: Wayne Wang
Cinematography by: Patrick Lindenmaier
Re-recording Mixer / Supervising Sound Editor
The Ten (2007)
Directed by: David Wain
Cinematography by: Yaron Orbach
Edited by: Eric Kissack
Re-recording Mixer
Dedication (2007)
Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir
Re-recording Mixer
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Sound Effects Editor
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Re-recording Mixer / Supervising Sound Editor
The Squid and the Whale (2005)
Directed by: Noah Baumbach
Cinematography by: Robert D. Yeoman
Edited by: Tim Streeto
Cameras: ARRIFLEX 16SR3 Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer / Supervising Sound Editor
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Supervising Sound Editor
Down to the Bone (2004)
Directed by: Debra Granik
Cinematography by: Michael McDonough
Edited by: Malcolm Jamieson
Re-recording Mixer / Supervising Sound Editor
Knots (2004)
Directed by: Greg Lombardo
Cinematography by: Michael Fimognari
Edited by: Joe Landauer
Sound Effects Editor
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Re-recording Mixer
The Breakup Artist (2004)
Directed by: Vincent Rubino
Cinematography by: Nicholas Baratta
Sound Designer , Supervising Dialogue Editor
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Dialogue Editor
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Sound Effects Editor
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Sound Effects Editor
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Sound Effects Editor
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Sound Designer
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Sound Effects Editor
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Dialogue Editor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Sound Effects Editor
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Sound Effects Editor
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Supervising Sound Editor
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Sound Effects Editor
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Sound Effects Editor
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Sound Effects Editor
Limbo (1999)
Directed by: John Sayles
Cinematography by: Haskell Wexler
Edited by: John Sayles
Sound Effects Editor
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Sound Effects Editor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Sound Effects Editor
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Sound Effects Editor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Sound Effects Editor
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Sound Effects Editor
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Sound Effects Editor
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Sound Effects Editor
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Sound Effects Editor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Sound Editor
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Technical Sound Supervisor
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Sound Effects Editor
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Supervising Sound Editor
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Supervising Sound Editor
Houseguest (1995)
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Dialogue Editor
Corrina, Corrina (1994)
Directed by: Jessie Nelson
Cinematography by: Bruce Surtees
Edited by: Lee Percy
Dialogue Editor
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Dialogue Editor
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Adr Editor
Me Myself and I (1992)
Directed by: Pablo Ferro
Cinematography by: Michael Sullivan
Edited by: Allen Ferro
Dialogue Editor
Critters 4 (1992)
Directed by: Rupert Harvey
Cinematography by: Thomas L. Callaway
Edited by: Terry Stokes
Sound Effects Editor
Deep Cover (1992)
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
Dialogue Editor
Poison Ivy (1992)
Directed by: Katt Shea
Cinematography by: Phedon Papamichael
Edited by: Gina Mittelman
Dialogue Editor
Fortress (1992)
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Foley Editor , Sound Effects Editor
Army of Darkness (1992)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Sound Effects Editor
To Sleep with Anger (1990)
Directed by: Charles Burnett
Cinematography by: Walt Lloyd
Edited by: Nancy Richardson
Music Editor , Supervising Digital Sound Editor
Best of the Best (1989)
Directed by: Robert Radler
Cinematography by: Douglas Ryan
Edited by: William Hoy
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses