Additional Sound Design / Sound Effects Editor
The Sea Beast (2022)
Directed by: Chris Williams
Edited by: Joyce Arrastia
Sound Effects Editor
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Sound Effects Editor , Sound Fx Editor: Sound Designer
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Sound Effects Editor
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Sound Designer
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Sound Effects Editor
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Sound Effects Editor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Sound Effects Editor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Additional Sound Design , Sound Effects Editor
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Sound Effects Editor
Turbo (2013)
Directed by: David Soren
Cinematography by: Chris Stover
Edited by: James Ryan
Sound Effects Editor
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Sound Designer
End of Watch (2012)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Sound Effects Editor
Rise of the Guardians (2012)
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Sound Effects Editor
Puss in Boots (2011)
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz
Sound Effects Editor
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Sound Effects Editor
Biutiful (2010)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Sound Effects Editor
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Sound Effects Editor
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Designer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Effects Editor
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Sound Effects Editor
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Sound Effects Co-designer
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Co-sound Designer / Supervising Sound Effects Editor
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Co-sound Designer / Sound Effects Editor
Pan's Labyrinth (2006)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Supervising Sound Designer / Supervising Sound Editor
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Sound Effects Editor
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Sound Effects Editor
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Sound Editor
'Lost' Pilot: Part 1 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Sound Designer
Innocent Voices (2004)
Directed by: Luis Mandoki
Cinematography by: Juan Ruiz Anchía
Edited by: Aleshka Ferrero
Sound Editor - 2 Episodes, 2004
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Editor
'Lost' Pilot: Part 2 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Sound Effects Editor
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Sound Designer
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Supervising Sound Editor
Go Tigers! (2001)
Directed by: Kenneth A. Carlson
Cinematography by: Curt Apduhan
Edited by: Jeff Werner
Supervising Sound Editor
Amores Perros (2000)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Cameras: Moviecam Superlight Camera
Sound Effects Editor
Boiler Room (2000)
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Foley Editor
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Sound Effects Editor
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Sound Effects Editor
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Sound Effects Editor
Drop Dead Gorgeous (1999)
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Sound Effects Editor
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Sound Effects Editor
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Sound Effects Editor
Down in the Delta (1998)
Directed by: Maya Angelou
Cinematography by: William Wages
Edited by: Nancy Richardson
Cameras: Panavision Cameras
Sound Effects Editor
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Sound Effects Editor
American History X (1998)
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Sound Designer
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Design Effects
Eve's Bayou (1997)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Sound Editor
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Sound Editor
Gridlock'd (1997)
Directed by: Vondie Curtis-Hall
Cinematography by: Bill Pope
Edited by: Christopher Koefoed
Sound Designer
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
Carpool (1996)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Cameras: Panavision Cameras
Sound Effects Editor
Adrenalin: Fear the Rush (1996)
Directed by: Albert Pyun
Cinematography by: George Mooradian
Edited by: Ken Morrisey
Cameras: Moviecam Compact Camera
Sound Effects Editor
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Sound Effects Editor
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Sound Designer
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Effects Editor
Cyber Bandits (1995)
Directed by: Erik Fleming
Cinematography by: Denis Maloney
Edited by: Rebecca Ross
Cameras: Panavision Cameras
Sound Effects Editor
Coldblooded (1995)
Directed by: Wallace Wolodarsky
Cinematography by: Robert D. Yeoman
Edited by: Craig Bassett
Sound Effects Editor
Embrace of the Vampire (1995)
Directed by: Anne Goursaud
Cinematography by: Suki Medencevic
Edited by: Terilyn A. Shropshire
Sound Effects Editor
The Desperate Trail (1994)
Directed by: P.J. Pesce
Cinematography by: Michael Bonvillain
Edited by: Bill Johnson
Sound Editor
Blue Flame (1993)
Directed by: Cassian Elwes
Cinematography by: Daniele Massaccesi
Edited by: John Lafferty
