Digital Intermediate Colourist: Warner Bros. De Lane Lea
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Digital Colorist
'The Crown' Gold Stick (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Frances Parker
Digital Colorist
'The Crown' The Balmoral Test (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Simon Brasse
Digital Colorist
'The Crown' Fairytale (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Digital Colorist
'The Crown' Favourites (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Richard Graham
Digital Colorist
'The Crown' Fagan (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Ben Yeates
Digital Colorist
'The Crown' Terra Nullius (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Lucia Zucchetti
Digital Colorist
'The Crown' The Hereditary Principle (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Morten Højbjerg
Digital Colorist
'The Crown' 48:1 (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Mark Davis
Digital Colorist
'The Crown' Avalanche (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Paulo Pandolpho
Digital Colorist
'The Crown' War (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Celia Haining
Digital Colorist
'The Crown' Olding (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Digital Colorist
'The Crown' Margaretology (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Digital Colorist
'The Crown' Aberfan (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Digital Colorist
'The Crown' Coup (2019)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Simon Brasse
Digital Colorist
'The Crown' Tywysog Cymru (2019)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Adam Bosman
Digital Colorist
'The Crown' Moondust (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Paulo Pandolpho
Digital Colorist
'The Crown' Dangling Man (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Peggy Koretzky
Digital Colorist
'The Crown' Imbroglio (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Daniel Greenway
Digital Colorist
'The Crown' Cri de Coeur (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Celia Haining
Colorist
The Vanishing (2018)
Directed by: Kristoffer Nyholm
Cinematography by: Jørgen Johansson
Edited by: Morten Højbjerg
Cameras: ARRI Cameras
Editing System: Avid Editing System
Digital Colourist
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Digital Colourist
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Digital Intermediate Colourist: Molinare
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Digital Colourist
'The Crown' Misadventure (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Ben Lester
Digital Colourist
'The Crown' A Company of Men (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Celia Haining
Digital Colourist
'The Crown' Lisbon (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Chris Barwell
Digital Colourist
'The Crown' Beryl (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Digital Colourist
'The Crown' Marionettes (2017)
Directed by: Philippa Lowthorpe
Cinematography by: Stuart Howell
Edited by: Alex Mackie
Digital Colourist
'The Crown' Vergangenheit (2017)
Directed by: Philippa Lowthorpe
Cinematography by: Stuart Howell
Edited by: Úna Ní Dhonghaíle
Digital Colourist
'The Crown' Matrimonium (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Digital Colourist
'The Crown' Dear Mrs. Kennedy (2017)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Digital Colourist
'The Crown' Paterfamilias (2017)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Digital Colourist
'The Crown' Mystery Man (2017)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Colorist, Digital Colourist
The Hitman's Bodyguard (2017)
Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Digital Colourist - 20 Episodes, 2016-2017
The Crown (2016)
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Digital Colourist
'The Crown' Wolferton Splash (2016)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Kristina Hetherington
Digital Colourist
'The Crown' Hyde Park Corner (2016)
Directed by: Stephen Daldry
Cinematography by: Adriano Goldman
Edited by: Pia Di Ciaula
Digital Colourist
'The Crown' Windsor (2016)
Directed by: Philip Martin
Cinematography by: Adriano Goldman
Edited by: Stuart Gazzard
Digital Colourist
'The Crown' Act of God (2016)
Directed by: Julian Jarrold
Cinematography by: Ole Bratt Birkeland
Edited by: Luke Dunkley
Digital Colourist
'The Crown' Smoke and Mirrors (2016)
Directed by: Philip Martin
Cinematography by: Adriano Goldman
Edited by: Kristina Hetherington
Digital Colourist
'The Crown' Gelignite (2016)
Directed by: Julian Jarrold
Cinematography by: Ole Bratt Birkeland
Edited by: Úna Ní Dhonghaíle
Digital Colourist
'The Crown' Scientia Potentia Est (2016)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Úna Ní Dhonghaíle
Digital Colourist
'The Crown' Pride & Joy (2016)
Directed by: Philip Martin
Cinematography by: Ole Bratt Birkeland
Edited by: Mark Eckersley
Digital Colourist
'The Crown' Assassins (2016)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Digital Colourist
'The Crown' Gloriana (2016)
Directed by: Philip Martin
Cinematography by: Ole Bratt Birkeland
Edited by: Stuart Gazzard
Digital Intermediate Colorist
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Colourist
'Call the Midwife' Episode #4.8 (2015)
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Colourist
'Call the Midwife' Episode #4.7 (2015)
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Colourist
'Call the Midwife' Episode #4.6 (2015)
Directed by: Dominic Leclerc
Cinematography by: Polly Morgan
Edited by: Simon Brasse
Colourist
'Call the Midwife' Episode #4.5 (2015)
Directed by: Dominic Leclerc
Cinematography by: Polly Morgan
Edited by: Simon Brasse
Colourist
'Call the Midwife' Episode #4.4 (2015)
Directed by: Amy Neil
Cinematography by: James Aspinall
Edited by: Paul Brown
Colourist
'Call the Midwife' Episode #4.2 (2015)
Directed by: Juliet May
Cinematography by: Mark Waters
Edited by: Jake Bernard
Colourist
'Call the Midwife' Episode #4.3 (2015)
Directed by: Juliet May
Cinematography by: Mark Waters
Edited by: Jake Bernard
Colourist
'Call the Midwife' Episode #4.1 (2015)
Directed by: Thaddeus O'Sullivan
Cinematography by: Mark Waters
Edited by: Les Healey
Digital Colourist
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Digital Colourist
'71 (2014)
Directed by: Yann Demange
Cinematography by: Tat Radcliffe
Edited by: Chris Wyatt
Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera
Digital Colourist
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Colourist
'Call the Midwife' Christmas Special (2014)
Directed by: Thaddeus O'Sullivan
Cinematography by: Mark Waters
Edited by: Les Healey
Colourist
'Call the Midwife' Episode #3.8 (2014)
Directed by: Minkie Spiro
Cinematography by: Mark Waters
Edited by: Beverley Mills
Colourist
'Call the Midwife' Episode #3.7 (2014)
Directed by: Minkie Spiro
Cinematography by: Mark Waters
Edited by: Beverley Mills
Colourist
'Call the Midwife' Episode #3.6 (2014)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Daniel Greenway
Colourist
'Call the Midwife' Episode #3.5 (2014)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Daniel Greenway
Colourist
'Call the Midwife' Episode #3.4 (2014)
Directed by: Juliet May
Cinematography by: Mark Waters
Edited by: Jake Bernard
Colourist
'Call the Midwife' Episode #3.3 (2014)
Directed by: Juliet May
Cinematography by: Mark Waters
Edited by: Jake Bernard
Colourist
'Call the Midwife' Episode #3.2 (2014)
Directed by: Juliet May
Cinematography by: Mark Waters
Edited by: Jake Bernard
Colourist
In Fear (2013)
Directed by: Jeremy Lovering
Cinematography by: David Katznelson
Edited by: Jonathan Amos
Digital Colourist
I Give It a Year (2013)
Directed by: Dan Mazer
Cinematography by: Ben Davis
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Plus Camera
Digital Colorist
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Digital Intermediate Colorist
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Digital Intermediate Consultant
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Intermediate Consultant
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Colourist - 17 Episodes, 2014-2015, Digital Colourist - 6 Episodes, 2012
Call the Midwife (2012)
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Digital Colourist, Digital Intermediate Colourist
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Digital Colourist
'Call the Midwife' Episode #1.6 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Digital Colourist
'Call the Midwife' Episode #1.5 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Digital Colourist
'Call the Midwife' Episode #1.4 (2012)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Digital Colourist
'Call the Midwife' Episode #1.3 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Digital Colourist
'Call the Midwife' Episode #1.2 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Digital Colourist
'Call the Midwife' Episode #1.1 (2012)
Directed by: Philippa Lowthorpe
Cinematography by: Chris Seager
Edited by: David Thrasher
Colorist
Page Eight (2011)
Directed by: David Hare
Cinematography by: Martin Ruhe
Edited by: Jinx Godfrey
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses
Digital Colourist, Digital Intermediate Colorist
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Digital Colourist
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colorist: Technicolor Creative Services
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Colorist, Digital Colourist
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Digital Colourist, Digital Intermediate Colorist
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Digital Colourist
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Digital Intermediate Consultant
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Digital Colourist
I Am Slave (2010)
Directed by: Gabriel Range
Cinematography by: Robbie Ryan
Edited by: Brand Thumim
Digital Colourist
It's a Wonderful Afterlife (2010)
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Digital Intermediate Colorist
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
Colorist: Framestore
The Descent: Part 2 (2009)
Directed by: Jon Harris
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Digital Intermediate Consultant
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Digital Intermediate Colourist: Framestore
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Digital Colourist
Franklyn (2008)
Directed by: Gerald McMorrow
Cinematography by: Ben Davis
Edited by: Peter Christelis
Digital Colourist
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Colorist: Framestore CFC
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Digital Colourist: Framestore CFC, Senior Colorist: Framestore CFC
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Colourist - Trailer Segment "Don't"
Grindhouse (2007)
Colourist: Framestore CFC
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Colorist: Framestore CFC, Digital Colourist
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Colourist: Framestore CFC
Hannibal Rising (2007)
Directed by: Peter Webber
Cinematography by: Ben Davis
Digital Intermediate Colourist
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Colourist: Framestore CFC
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Colorist: Framestore CFC
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Colourist: Framestore CFC
Lassie (2005)
Directed by: Charles Sturridge
Cinematography by: Howard Atherton
Colourist: Framestore CFC
The League of Gentlemen's Apocalypse (2005)
Directed by: Steve Bendelack
Cinematography by: Rob Kitzmann
Edited by: Tony Cranstoun
Colourist: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Colourist
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Colorist: Framestore CFC
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Telecine Colorist - 2 Episodes, 2002
Shackleton (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Telecine Colorist
'Shackleton' Episode #1.1 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Telecine Colorist
'Shackleton' Episode #1.2 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Mastergrade Colourist - 2 Episodes, 2000
Arabian Nights (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Mastergrade Colourist - 2 Episodes, 2000
Jason and the Argonauts (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Mastergrade Colourist
'Jason and the Argonauts' Episode #1.1 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Mastergrade Colourist
'Arabian Nights' Episode #1.1 (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Mastergrade Colourist
'Arabian Nights' Episode #1.2 (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Mastergrade Colourist
'Jason and the Argonauts' Episode #1.2 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
