Greg ten Bosch

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Spider-Man: Across the Spider-Verse | ShotOnWhat?

Sound Effects Editor

Spider-Man: Across the Spider-Verse (2023)

Directed by: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

Edited by: Mike Andrews

Ambulance | ShotOnWhat?

Sound Effects Editor: E2

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Dune | ShotOnWhat?

Sound Effects Editor

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Red Sparrow | ShotOnWhat?

Sound Effects Editor

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

First Man | ShotOnWhat?

Sound Effects Editor

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Geostorm | ShotOnWhat?

Sound Effects Editor

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Blade Runner 2049 | ShotOnWhat?

Sound Effects Editor

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Terminator Genisys | ShotOnWhat?

Sound Effects Editor

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Penguins of Madagascar | ShotOnWhat?

Sound Editor / Sound Effects Editor

Penguins of Madagascar (2014)

Directed by: Eric Darnell, Simon J. Smith

Edited by: Nick Kenway

Transformers: Age of Extinction | ShotOnWhat?

Sound Effects Editor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Godzilla | ShotOnWhat?

Sound Effects Editor

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Beautiful Creatures | ShotOnWhat?

Sound Effects Editor, Sound Effects Editor: E2

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Sound Effects Editor

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Sound Effects Editor

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

White House Down | ShotOnWhat?

Sound Effects Editor

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

Men in Black 3 | ShotOnWhat?

Sound Effects Editor

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Argo | ShotOnWhat?

Sound Effects Editor

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Sound Effects Editor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Karate Kid | ShotOnWhat?

Sound Effects Editor

The Karate Kid (2010)

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Jonah Hex | ShotOnWhat?

Sound Effects Editor

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Pink Panther 2 | ShotOnWhat?

Sound Editor

The Pink Panther 2 (2009)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Julia Wong

Cameras: Moviecam Compact Camera

Paul Blart: Mall Cop | ShotOnWhat?

Sound Effects Editor

Paul Blart: Mall Cop (2009)

Directed by: Steve Carr

Cinematography by: Russ T. Alsobrook

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

This Is It | ShotOnWhat?

Sound Effects Editor

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

Transformers: Revenge of the Fallen | ShotOnWhat?

Sound Effects Editor

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Superhero Movie | ShotOnWhat?

Sound Effects Editor

Superhero Movie (2008)

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

Nim's Island | ShotOnWhat?

Sound Effects Editor

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

Spider-Man 3 | ShotOnWhat?

Sound Effects Editor

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Da Vinci Code | ShotOnWhat?

Foley Editor

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

John Tucker Must Die | ShotOnWhat?

Sound Editor

John Tucker Must Die (2006)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Idiocracy | ShotOnWhat?

Sound Effects Editor

Idiocracy (2006)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Foley Supervisor

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

The Grudge 2 | ShotOnWhat?

Effects Editor / Foley Editor

The Grudge 2 (2006)

Directed by: Takashi Shimizu

Cinematography by: Katsumi Yanagijima

Edited by: Jeff Betancourt

The Interpreter | ShotOnWhat?

Assistant Sound Editor

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Constantine | ShotOnWhat?

Assistant Sound Editor

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

A Christmas Carol: The Musical | ShotOnWhat?

Foley Editor

A Christmas Carol: The Musical (2004)

Television Movie

Directed by: Arthur Allan Seidelman

Cinematography by: Hanania Baer

Edited by: Bert Glatstein

Dawn of the Dead | ShotOnWhat?

Assistant Sound Editor

Dawn of the Dead (2004)

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Bad Santa | ShotOnWhat?

Sound Effects Editor

Bad Santa (2003)

Directed by: Terry Zwigoff

Cinematography by: Jamie Anderson

Edited by: Robert Hoffman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

House of Sand and Fog | ShotOnWhat?

Foley Supervisor

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Charlie's Angels: Full Throttle | ShotOnWhat?

Assistant Sound Editor / Sound Effects Editor

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Sound Effects Editor

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Levity | ShotOnWhat?

Sound Editor

Levity (2003)

Directed by: Ed Solomon

Cinematography by: Roger Deakins

Edited by: Pietro Scalia

Equilibrium | ShotOnWhat?

Sound Effects Editor

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Spider-Man | ShotOnWhat?

Sound Effects Editor

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

I Spy | ShotOnWhat?

Sound Effects Editor

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Tuck Everlasting | ShotOnWhat?

Foley Editor

Tuck Everlasting (2002)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Jay Cassidy

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Beautiful Creatures | ShotOnWhat?

Sound Effects Editor

Beautiful Creatures (2000)

Directed by: Bill Eagles

Cinematography by: James Welland

Edited by: Jon Gregory, David Head

All the Pretty Horses | ShotOnWhat?

Sound Intern

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

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