Production Support: Industrial Light & Magic
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Technical Support: ILM
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Media Operations: ILM
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Scanning Supervisor
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Film Recording Engineer: ILM
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Film Recording Engineer: ILM
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Film Group Technician: ILM
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Visual Effects Editorial And Imaging Services Group: ILM
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Scanning Operator: ILM
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Film Scanning And Recording: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Film Scanning Operator: ILM
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Film Scanning: ILM
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Film Scanning Operator: ILM
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Film Scanner Operator: Miniature Tunnel Unit
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Scanning Operator: ILM
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Senior Scanning Operator
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Film Scanning Operator
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Senior Scanning Operator: ILM
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Senior Scanning Operator
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Senior Scanning Operator: ILM
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Scanner Operator: ILM
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Scanning Operator
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Scanning Operator: ILM
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Scanning Operator
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Film Scanner Operator: ILM
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Scanning
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Scanning
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Scanning Operator: ILM
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Optical Lineup: ILM
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Optical Line-up
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Optical Line-up: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Digital Scanning Operator - Special Version
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
