Music Editor
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Music Editor / Music Supervisor
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Music Editor
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Music Editor
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Music Editor
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Music Supervisor
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Music Editor
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Music Editor
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Music Editor
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Temp Music Editor
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Music Editor
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Music Editor
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Temp/final Music Editor
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Music Editor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Sound Designer
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Sound Designer And Re-recording Mixer
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Music Editor / Music Supervisor, Re-recording Mixer / Sound Supervisor
From Within (2008)
Directed by: Phedon Papamichael
Cinematography by: Rafael E. Sánchez
Edited by: Michael Matzdorff
Sound Effects Editor, Temporary Music Editor
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Foley Editor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Foley Editor
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Foley Editor
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Sound Effects Editor
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Sound Effects Editor
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Sound Designer
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Sound Effects Editor
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Sound Effects Editor
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Dialogue Editor
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Foley Editor
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Sound Effects Editor
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Sound Effects Editor
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Sound Effects Editor
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Foley Editor
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Foley Editor
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Foley Editor
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Foley Editor
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Foley Supervisor
How Stella Got Her Groove Back (1998)
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Foley Editor
Out to Sea (1997)
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Foley Editor
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Sound Editor
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Foley Editor
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Foley Editor
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Foley Editor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Assistant Sound Editor
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Digital Sound Assistant
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
