Digital Producer: Pixomondo
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Visual Effects Producer: MPC
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Visual Effects Producer
'The Magicians' A Life in the Day (2018)
Directed by: John Scott
Cinematography by: François Dagenais
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The Tales of the Seven Keys (2018)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Producer
'The Magicians' Heroes and Morons (2018)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The Losses of Magic (2018)
Directed by: James L. Conway
Cinematography by: François Dagenais
Edited by: Terry Kelley
Visual Effects Producer
'The Magicians' Be the Penny (2018)
Directed by: Shannon Kohli
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Producer
'The Magicians' Do You Like Teeth? (2018)
Directed by: Carol Banker
Cinematography by: Elie Smolkin
Edited by: Terry Kelley
Visual Effects Producer
'The Magicians' Poached Eggs (2018)
Directed by: Joshua Butler
Cinematography by: François Dagenais
Edited by: Mats Abbott
Visual Effects Producer
'The Magicians' Six Short Stories About Magic (2018)
Directed by: Salli Richardson-Whitfield
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' All That Josh (2018)
Directed by: James L. Conway
Cinematography by: François Dagenais
Visual Effects Producer
'The Magicians' The Art of the Deal (2018)
Directed by: Rebecca Johnson
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Visual Effects Producer
'The Magicians' Twenty-Three (2018)
Directed by: Meera Menon
Cinematography by: François Dagenais
Visual Effects Producer
'The Magicians' The Fillorian Candidate (2018)
Directed by: Joshua Butler
Cinematography by: François Dagenais
Edited by: Terry Kelley
Visual Effects Producer
'The Magicians' Will You Play with Me? (2018)
Directed by: Chris Fisher
Cinematography by: François Dagenais
Edited by: Mats Abbott
Visual Effects Producer
'The Magicians' We Have Brought You Little Cakes (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' Knight of Crowns (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' Hotel Spa Potions (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Divine Elimination (2017)
Directed by: John Scott
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' Cheat Day (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The Cock Barrens (2017)
Directed by: Kate Woods
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Plan B (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' Word as Bond (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Lesser Evils (2017)
Directed by: Rebecca Johnson
Cinematography by: Elie Smolkin
Visual Effects Producer
'The Magicians' The Girl Who Told Time (2017)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' The Rattening (2017)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Ramifications (2017)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The Writing Room (2016)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' Have You Brought Me Little Cakes (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Thirty-Nine Graves (2016)
Directed by: Guy Norman Bee
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' Remedial Battle Magic (2016)
Directed by: Amanda Tapping
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' Homecoming (2016)
Directed by: Joshua Butler
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' The Strangled Heart (2016)
Directed by: Jan Eliasberg
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The Mayakovsky Circumstance (2016)
Directed by: Guy Norman Bee
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Impractical Applications (2016)
Directed by: John Scott
Cinematography by: Elie Smolkin
Visual Effects Producer
'The Magicians' Mendings, Major and Minor (2016)
Directed by: Bill Eagles
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer
'The Magicians' The World in the Walls (2016)
Directed by: James L. Conway
Cinematography by: Elie Smolkin
Edited by: Rita K. Sanders
Visual Effects Producer
'The Magicians' Consequences of Advanced Spellcasting (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Jason Gourson
Visual Effects Producer
'The Magicians' The Source of Magic (2016)
Directed by: Scott Smith
Cinematography by: Elie Smolkin
Edited by: Steven Nevius
Visual Effects Producer - 38 Episodes, 2015-2018
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Visual Effects Production Manager
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Visual Effects Production Manager
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Producer
'The Magicians' Unauthorized Magic (2015)
Directed by: Mike Cahill
Cinematography by: Vanja Cernjul
Edited by: Sue Blainey
Visual Effects Production Manager
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Visual Effects Crew: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Visual Effects Coordinator
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects: Rising Sun Pictures
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects: Rising Sun Pictures
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Coordinator: Rising Sun Pictures
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Visual Effects Coordinator
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
I/o Manager
Dark Frontier (2009)
Directed by: Kriv Stenders
Cinematography by: Jules O'Loughlin
Edited by: Gabriella Muir
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
Visual Effects Editor
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Visual Effects Editor: Rising Sun Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Visual Effects Editor: Rising Sun Pictures
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Visual Effects Editor: Rising Sun PIctures
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Data I/o Manager: Rising Sun
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Visual Effects Coordinator
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Coordinator: Post Modern
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Visual Effects Coordinator
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Visual Effects Coordinator
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects Coordinator
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects Coordinator: Rising Sun Pictures
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Visual Effects Coordinator: Rising Sun Pictures
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Coordinator
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Coordinator
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
