Allison Paul

31 Titles

Is this you? Add a Profile

Visual Effects Producer: Lola Visual Effects

Ad Astra (2019)

Motion Picture

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Lenses: CamTec Lenses, Zeiss Master Prime Lenses

Visual Effects Coordinator, Visual Effects Coordinator: Marvel Studios

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Visual Effects Coordinator

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Visual Effects Coordinator

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Visual Effects Coordinator: Lola Visual Effects

The Legend of Tarzan (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Visual Effects Producer: Lola Visual Effects

Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Visual Effects Producer: Lola Visual Effects

The Hunger Games: Mockingjay - Part 2 (2015)

Motion Picture

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Producer: Lola Visual Effects

Carol (2015)

Motion Picture

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Affonso Gonçalves

Cameras: ARRIFLEX 416 Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Visual Effects Production: Lola VFX

Joy (2015)

Motion Picture

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Visual Effects Coordinator: Lola VFX

Captain America: The Winter Soldier (2014)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Visual Effects Producer: Lola Visual Effects

Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Visual Effects Coordinator: Lola Visual Effects

The Hunger Games: Mockingjay - Part 1 (2014)

Motion Picture

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Visual Effects Producer: Lola Visual Effects

Night at the Museum: Secret of the Tomb (2014)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Visual Effects Coordinator: Lola Visual Effects

Furious 6 (2013)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Visual Effects Coordinator: Lola Visual Effects

The Lone Ranger (2013)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Visual Effects Coordinator: Lola Visual Effects

G.I. Joe: Retaliation (2013)

Motion Picture

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Visual Effects Coordinator: Lola Visual Effects

Warm Bodies (2013)

Motion Picture

Directed by: Jonathan Levine

Cinematography by: Javier Aguirresarobe

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Visual Effects Coordinator: Lola Visual Effects - 1 Episode, 2013

House of Cards (2013)

Television Series

Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives

Edited by: Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Cameras: Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses: Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Visual Effects: Lola VFX

The Secret Life of Walter Mitty (2013)

Motion Picture

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Anchorman 2: The Legend Continues | ShotOnWhat?

Visual Effects Associate Producer: Lola Visual Effects

Anchorman 2: The Legend Continues (2013)

Motion Picture

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

"House of Cards" Chapter 5 | ShotOnWhat?

Visual Effects Coordinator: Lola Visual Effects

'House of Cards' Chapter 5 (2013)

Television Episode

Directed by: Joel Schumacher

Cinematography by: Eigil Bryld

Edited by: Michelle Tesoro

Visual Effects Coordinator: Lola Visual Effects

The Guilt Trip (2012)

Motion Picture

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Visual Effects Coordinator: Lola Visual Effects

The Avengers (2012)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Additional Visual Effects: Lola

The Company You Keep (2012)

Motion Picture

Directed by: Robert Redford

Cinematography by: Adriano Goldman

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera

Visual Effects Coordinator

Les Misérables (2012)

Motion Picture

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Visual Effects Coordinator: Lola Visual Effects

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Motion Picture

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Visual Effects Coordinator

Skyfall (2012)

Motion Picture

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Visual Effects Coordinator: Lola Visual Effects

Cloud Atlas (2012)

Motion Picture

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Snow White and the Huntsman | ShotOnWhat?

Visual Effects Coordinator: Lola Visual Effects

Snow White and the Huntsman (2012)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Production Assistant

Skyline (2010)

Motion Picture

Directed by: Colin Strause, Greg Strause

Cinematography by: Michael Watson

Edited by: Nicholas Wayman-Harris

Cameras: Red One MX Camera

20254.20

Allison Paul

You need to login or create an account to link to credits

Login

Don't have an account yet?

Visual Effects Producer: Lola Visual Effects

Visual Effects Coordinator, Visual Effects Coordinator: Marvel Studios

Visual Effects Coordinator

Visual Effects Coordinator

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Producer: Lola Visual Effects

Visual Effects Producer: Lola Visual Effects

Visual Effects Producer: Lola Visual Effects

Visual Effects Production: Lola VFX

Visual Effects Coordinator: Lola VFX

Visual Effects Producer: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Producer: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects - 1 Episode, 2013

Visual Effects: Lola VFX

Visual Effects Associate Producer: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Additional Visual Effects: Lola

Visual Effects Coordinator

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator

Visual Effects Coordinator: Lola Visual Effects

Visual Effects Coordinator: Lola Visual Effects

Production Assistant