Negative Cutter
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Negative Cutter
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Negative Cutter
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Negative Cutter
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Negative Cutter
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Negative Cutter
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Negative Cutter
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Negative Cutter
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Negative Manager
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Negative Cutter
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Negative Cutter
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Negative Cutter
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Negative Cutter
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Negative Cutter: Buena Vista Negative Cutting
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Negative Cutter
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Negative Cutter
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Negative Cutter
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Negative Cutter
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Negative Cutter
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Negative Cutter
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Negative Cutter
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Negative Cutter
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Negative Cutter
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Negative Cutter
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Negative Cutter
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Negative Cutter
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Negative Cutter: Buena Vista Negative Cutting
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Negative Cutter
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Negative Cutter
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter: Buena Vista Negative Cutting
Monsters, Inc. (2001)
Negative Cutter
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Negative Cutter
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Negative Matcher
Tumbleweeds (1999)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Edited by: John Gilroy
Negative Cutter
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Negative Cutter
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Negative Cutter
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Negative Cutter: Buena Vista Negative Cutting
A Bug's Life (1998)
Cinematography by: Sharon Calahan
Edited by: Lee Unkrich
Negative Cutter
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Negative Cutter
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Negative Cutter
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Negative Cutter
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Negative Cutter
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
