Italian Mobster
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Detective Marvin
'Blue Bloods' Playing with Fire (2018)
Directed by: David Barrett
Cinematography by: Gene Engels
Edited by: Thomas R. Moore
Pirate
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Jake
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Medic
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
NYC Pedestrian
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Prisoner
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Terrorist
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Pedestrian
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Court Room Attendant
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Street Driver
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Pedestrian
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Soldier
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Yuri
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Pedestrian
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Grandparent
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Astronaut
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Soldier
Son of God (2014)
Directed by: Christopher Spencer
Cinematography by: Rob Goldie
Edited by: Robert Hall
Cameras: ARRI ALEXA Plus Camera
Lenses: ARRI / Fujinon Lenses
Juror
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Bartender
Whiplash (2014)
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Store Clerk
The Dark Horse (2014)
Directed by: James Napier Robertson
Cinematography by: Denson Baker
Edited by: Peter Roberts
Cameras: Sony CineAlta F65 Camera
M16 Agent
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
National Guardsman
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Insurgent
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Bar Patron
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Inmate
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Court Room Attendant
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Angel
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Serbian Soldier
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Soldier
Prisoners of the Sun (2013)
Directed by: Roger Christian
Cinematography by: Ed Wild
Cameras: ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses: Angenieux Optimo Zoom Lenses
Detective Marvin
Blue Bloods (2010)
Directed by: David Barrett, Robert Harmon, Ralph Hemecker, Alex Chapple, John Behring, Alex Zakrzewski, Eric Laneuville, Michael Pressman, John Polson, Peter Werner, Heather Cappiello, Félix Enríquez Alcalá, Jane Raab, Frederick King Keller, Christine Moore, Tawnia McKiernan, Stephen Gyllenhaal, James Whitmore Jr., Martha Mitchell, Robert Duncan McNeill, Thomas R. Moore, P.J. Pesce, Michael Cuesta, Gwyneth Horder-Payton, Rosemary Rodriguez, Jan Eliasberg, Karen Gaviola, Steve Gomer, Matthew Penn, Nick Gomez, Jim McKay, Alex Hall, Oz Scott, David Solomon, Larry Teng, Greg Beeman, Donnie Wahlberg, Holly Dale, Kellie Cyrus, Peter Leto, Donald E. Thorin Jr., Deran Sarafian, Jackeline Tejada, Douglas Aarniokoski, Rachel Feldman, Dean White
Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey
Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras: ARRI ALEXA Camera, Red One MX Camera
Inmate
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
4th July Party Goer
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Spectator
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Restaurant Patron
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Officer
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Priest's Assistant At The Church
The Gates of Hell (2008)
Directed by: Kelly Dolen
Cinematography by: Marc Windon
Edited by: James Cole
Detective Torres
'Law & Order: Special Victims Unit' Alternate (2007)
Directed by: David Platt
Cinematography by: George Pattison
Edited by: Nancy Forner
Officer
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
LAPD Officer
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Boxing Attendee
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Road Driver
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Auction Attendee
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Restaurant Patron
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Detective Torres
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
Security
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Marciano
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Soldier
Southern Comfort (1981)
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Edited by: Freeman A. Davies
Spectator
Slap Shot (1977)
Directed by: George Roy Hill
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Swimmer
Jaws (1975)
Directed by: Steven Spielberg
Cinematography by: Bill Butler
Edited by: Verna Fields
Editing System: Moviola Editing System
