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United States | 1624 Titles

United States 3.00/5 1 Vote

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Elf-Man (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove

Starring | Jason 'Wee Man' Acuña, Jeffrey Combs, Mackenzie Astin, Mirelly Taylor

Cameras | Sony Cameras

Lenses | Red Digital Cinema Lenses

Prisoners (2013)

Motion Picture | 2D | 4K Project | Color | 153 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach

Starring | Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo

Cameras | ARRI ALEXA Studio Camera

Lenses | Zeiss Master Prime Lenses

The Mortal Instruments: City of Bones (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

The Mortal Instruments: City of Bones | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody

Starring | Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jemima West

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Grown Ups 2 (2013)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Grown Ups 2 | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain

Starring | Adam Sandler, Kevin James, Chris Rock, David Spade

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Army Wives (2007)

Television Series | 2D | HD Project | Color | 60 Minutes

| Cinematography by | Robert LaBonge, Lloyd Ahern II, Todd McMullen, Frank Perl | Editing by | Briana London, Sharon Silverman, Susan K. Weiler, Kurt Courtland, Chris Peppe, Alan Cody, Peter B. Ellis, Lauren A. Schaffer, Christopher Cooke, Susan Vaill, Meghan Robertson

Starring | Brian McNamara, Wendy Davis, Catherine Bell, Sterling K. Brown

Cameras | Sony PMW-F3 Camera

Officer Down (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang

Starring | Rachel Alig, Laura Rauh, Frederick Lawrence, Stefan Prater

Cameras | Sony PMW-F3 Camera

Lenses | Cooke Speed Panchro Lenses

Blood River (2009)

Motion Picture | 2D | Color | 2.40:1 | 104 Minutes

Blood River | ShotOnWhat?

Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason

Starring | Andrew Howard, Tess Panzer, Ian Duncan, Sarah Essex

Cameras | Sony HDW-F900 Camera

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

The Last Exorcism Part II (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly

Starring | Ashley Bell, Julia Garner, Spencer Treat Clark, David Jensen

Cameras | ARRI ALEXA Camera

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

And They’re Off (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

And They’re Off | ShotOnWhat?

Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers

Starring | Sean Astin, Bob Baffert, Camilla Ball, Michael Blaiklock

Cameras | Canon Cameras

Reach Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen

Starring | Lauren Cohan, Kyra Sedgwick, Thomas Jane, Kevin Connolly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses

1000 to 1: The Cory Weissman Story (2014)

Direct to Video | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey

Starring | David Henrie, Luke Kleintank, Beau Bridges, Jean Louisa Kelly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses

Norbit (2007)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Brian Robbins | Cinematography by | Clark Mathis | Editing by | Ned Bastille

Starring | Eddie Murphy, Thandiwe Newton, Terry Crews, Clifton Powell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

G.I. Joe: Retaliation (2013)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May

Starring | Dwayne Johnson, Channing Tatum, Adrianne Palicki, Byung-Hun Lee

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lone Ranger (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood

Starring | Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson

Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

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