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United States | 1624 Titles

United States 3.00/5 1 Vote

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The Guilt Trip (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly

Starring | Barbra Streisand, Seth Rogen, Julene Renee, Zabryna Guevara

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Glee (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold

Starring | Lea Michele, Jane Lynch, Matthew Morrison, Cory Monteith

Cameras | Digital Bolex D16, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Paranoia (2013)

Motion Picture | 2D | Color | 2.39:1 | 6 Minutes

Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford

Starring | James Langille, Jesse Langille, Natasha Alford

Cameras | ARRI ALEXA Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sabotage (2014)

Motion Picture | 2D | Color | 109 Minutes

Sabotage | ShotOnWhat?

Directed by | David Ayer | Cinematography by | Bruce McCleery | Editing by | Dody Dorn

Starring | Arnold Schwarzenegger, Sam Worthington, Terrence Howard, Olivia Williams

Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Scary Movie 5 (2013)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig

Starring | Simon Rex, Ashley Tisdale, Charlie Sheen, Lindsay Lohan

Cameras | ARRI ALEXA Camera

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Butler (2013)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz

Starring | Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Spectacular Now (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | James Ponsoldt | Cinematography by | Jess Hall | Editing by | Darrin Navarro

Starring | Miles Teller, Shailene Woodley, Kyle Chandler, Jennifer Jason Leigh

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Hangover Part III (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ain’t Them Bodies Saints (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo

Starring | Rooney Mara, Casey Affleck, Ben Foster, Nate Parker

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Starbright (2019)

Motion Picture | 3D | Color | 2.39:1 |

Directed by | Francesco Lucente | Cinematography by | Francesco Di Giacomo | Editing by | Julia Furch

Starring | Elisabeth Röhm, Ted Levine, John Rhys-Davies, Diego Boneta

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Treme (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow

Starring | Khandi Alexander, Rob Brown, Kim Dickens, Melissa Leo

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Amazing Spider-Man 2 (2014)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 142 Minutes

Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia

Starring | Andrew Garfield, Emma Stone, Jamie Foxx, Paul Giamatti

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Incredible Burt Wonderstone (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall

Starring | Steve Carell, Luke Vanek, Steve Buscemi, Mason Cook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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