Color Timer
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Co-color Timer
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Color Timer
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Color Timer
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Color Timer
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Color Timer
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
Beasts of the Southern Wild (2012)
Directed by: Benh Zeitlin
Cinematography by: Ben Richardson
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Color Timer
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Color Timer
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Color Timer
Arbitrage (2012)
Directed by: Nicholas Jarecki
Cinematography by: Yorick Le Saux
Edited by: Douglas Crise
Cameras: ARRICAM Lite (LT) Camera
Co-color Timer
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Color Timer
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Color Timer
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Color Timer
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Color Timer
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Film Finish Lab Color Timer: Technicolor
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Color Timer
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Color Timer
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Color Timer
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Co-color Timer
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Color Timer
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Color Timer
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Color Timer
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Color Timer
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Color Timer
The Hidden Face (2011)
Directed by: Andrés Baiz
Cinematography by: Josep M. Civit
Edited by: Roberto Otero
Color Timer
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Color Timer
The Raid: Redemption (2011)
Directed by: Gareth Evans
Edited by: Gareth Evans
Cameras: Panasonic AG-AF100 Camera
Color Timer
Hwanghae (2010)
Directed by: Hong-jin Na
Cinematography by: Sung-je Lee
Edited by: Sun-min Kim
Color Timer
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Color Timer
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Color Timer
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Co-color Timer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Color Timer
Beginners (2010)
Directed by: Mike Mills
Cinematography by: Kasper Tuxen
Edited by: Olivier Bugge Coutté
Cameras: Red One Camera
Color Timer
Street Fighter: The Legend of Chun-Li (2009)
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
Color Timer
Black Dynamite (2009)
Directed by: Scott Sanders
Cinematography by: Shawn Maurer
Edited by: Adrian Younge
Color Timer
(Untitled) (2009)
Directed by: Jonathan Parker
Cinematography by: Svetlana Cvetko
Edited by: Keiko Deguchi
Cameras: Panavision Genesis Camera
Color Timer
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Color Timer
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Color Timer
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Color Timer
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Color Timer
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Color Timer
Tyson (2008)
Directed by: James Toback
Cinematography by: Larry McConkey
Edited by: Aaron Yanes
Film Color Timer
My Sassy Girl (2008)
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Film Color Timer
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer, Laboratory Timer
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Color Timer
American Son (2008)
Directed by: Neil Abramson
Cinematography by: Kris Kachikis
Edited by: Karen Schmeer
Color Timer
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Film Color Timer
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Film Color Timer
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Color Timer
Emerald Cowboy (2003)
Directed by: Andrew Molina
Cinematography by: Byron Werner
Edited by: Andrew Molina
Color Timer
Exorcism (2003)
Directed by: William A. Baker
Cinematography by: Christopher Gosch
Edited by: John Babinec
Color Timer
Shadow Fury (2001)
Directed by: Makoto Yokoyama
Cinematography by: Blain Brown
Edited by: Nina Kawasaki
Color Timer
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Color Timer
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Color Timer
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Timer
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Color Timer
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
B&w Timer
Nadja (1994)
Directed by: Michael Almereyda
Cinematography by: Jim Denault
Edited by: David Leonard
