Assistant Sound Editor: C5, Inc.
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Assistant Sound Editor
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Dialogue Editor
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Dialogue Editor
Hold the Dark (2018)
Directed by: Jeremy Saulnier
Cinematography by: Magnus Nordenhof Jønck
Edited by: Julia Bloch
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Plus Lenses
First Assistant Sound Editor
Monster (2018)
Directed by: Anthony Mandler
Cinematography by: David Devlin
Edited by: Joe Klotz
Cameras: Red Epic Dragon Camera
First Assistant Sound Editor
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Dialogue Editor
Measure of a Man (2018)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRI ALEXA Camera
Sound Effects Editor / Supervising Sound Editor
Dragged Across Concrete (2018)
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Dialogue Editor
Exposed (2016)
Directed by: Gee Malik Linton
Cinematography by: Trevor Forrest
Edited by: Melody London
Cameras: ARRI ALEXA Camera
Foley Artist / Supervising Sound Editor
Somewhere in the Middle (2015)
Directed by: Lanre Olabisi
Cinematography by: Piero Basso
Edited by: Alex Kopit
Cameras: ARRI ALEXA Camera
Adr Recordist
Austenland (2013)
Directed by: Jerusha Hess
Cinematography by: Larry Smith
Edited by: Nick Fenton
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Adr Recordist
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Adr Recordist: N.Y.
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Adr Recordist
Arbitrage (2012)
Directed by: Nicholas Jarecki
Cinematography by: Yorick Le Saux
Edited by: Douglas Crise
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Blue Like Jazz (2012)
Directed by: Steve Taylor
Cinematography by: Ben Pearson
Edited by: Matthew Sterling
Adr Mixer
'Royal Pains' Bottoms Up (2012)
Directed by: Tricia Brock
Cinematography by: Joe Collins
Edited by: Charles McClelland
Adr Mixer
'Law & Order: Special Victims Unit' Father's Shadow (2012)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Jim Stewart
Foley Editor
'Bored to Death' The Blonde in the Woods (2011)
Directed by: Michael Lehmann
Edited by: Ken Eluto
Foley Editor
'Bored to Death' Gumball! (2011)
Directed by: Michael Lehmann
Cinematography by: Vanja Cernjul
Edited by: Meg Reticker
Foley Editor
'Bored to Death' The Black Clock of Time (2011)
Directed by: Michael Lehmann
Edited by: Ken Eluto
Foley Editor
'Bored to Death' We Could Sing a Duet (2011)
Directed by: Michael Lehmann
Edited by: Meg Reticker
Foley Editor
'Bored to Death' I Keep Taking Baths Like Lady Macbeth (2011)
Directed by: Tristram Shapeero
Edited by: Ken Eluto
Foley Editor
'Bored to Death' Two Large Pearls and a Bar of Gold (2011)
Directed by: Tristram Shapeero
Assistant Sound Editor / Foley Editor
'Bored to Death' Forget the Herring (2011)
Directed by: Adam Bernstein
Cinematography by: Vanja Cernjul
Edited by: Ken Eluto
Foley Editor
'Royal Pains' Run, Hank, Run (2011)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Foley Editor
'Bored to Death' Nothing I Can't Handle by Running Away (2011)
Directed by: Adam Bernstein
Cinematography by: Vanja Cernjul
Edited by: Meg Reticker
Foley Editor
'Royal Pains' Me First (2011)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Gary Levy
Adr Mixer
'Law & Order: Special Victims Unit' Russian Brides (2011)
Directed by: Alex Chapple
Cinematography by: Michael Green
Edited by: Jim Stewart
Adr Mixer
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Adr Recordist
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Adr Recordist
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Adr Mixer
The Stepfather (2009)
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Gold II Camera
Foley Editor / Adr Mixer - 3 Episodes, 2011-2012
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Foley Editor / Assistant Sound Editor - 8 Episodes, 2011
Bored to Death (2009)
Directed by: Michael Lehmann, Adam Bernstein, Alan Taylor, Tristram Shapeero, Paul Feig, Tucker Gates, Nicole Holofcener, Troy Miller
Cinematography by: Vanja Cernjul
Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Adr Recordist
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Adr Recordist
My Sassy Girl (2008)
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Adr Recordist
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Adr Recordist
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Adr Recordist
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Adr Recordist
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Adr Recordist
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Adr Recordist
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Adr Recordist
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Adr Recordist
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Adr Recordist
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Adr Recordist
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Adr Recordist
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Adr Recordist
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Adr Recordist
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Adr Recordist
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Adr Recordist
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Adr Recordist
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Adr Mixer - 2 Episodes, 2011-2012
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
