"a" Camera Operator
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Camera Operator
'House of Lies' Game Theory (2016)
Directed by: Don Cheadle
Cinematography by: Loren S. Yaconelli
Edited by: John Axness
Camera Operator
'House of Lies' Creative Destruction Phenomenon (2016)
Directed by: Matthew Carnahan
Cinematography by: Loren S. Yaconelli
Camera Operator
'House of Lies' Holacracy (2016)
Directed by: Daisy von Scherler Mayer
Cinematography by: Loren S. Yaconelli
Camera Operator
'House of Lies' End State Vision (2016)
Directed by: Daisy von Scherler Mayer
Cinematography by: Loren S. Yaconelli
Edited by: John Axness
Camera Operator
'House of Lies' Above Board Metrics (2016)
Directed by: Gary B. Goldman
Cinematography by: Loren S. Yaconelli
Edited by: Aimee Durrant
Camera Operator
'House of Lies' Johari Window (2016)
Directed by: Don Cheadle
Cinematography by: Loren S. Yaconelli
Edited by: John Axness
Camera Operator
'House of Lies' One-Eighty (2016)
Directed by: Jessika Borsiczky
Cinematography by: Loren S. Yaconelli
Edited by: Tod Feuerman
Camera Operator: "b" Camera
'House of Lies' Tragedy of the Commons (2016)
Directed by: Craig Zisk
Cinematography by: Loren S. Yaconelli
Edited by: Aimee Durrant
Camera Operator: "b" Camera
'House of Lies' No Es Facil (2016)
Directed by: Matthew Carnahan
Cinematography by: Loren S. Yaconelli
Edited by: Tod Feuerman
Camera Operator
'House of Lies' Violent Agreement (2016)
Directed by: Helen Hunt
Cinematography by: Loren S. Yaconelli
Edited by: John Axness
Camera Operator: "a" Camera
Think Like a Man Too (2014)
Directed by: Tim Story
Cinematography by: Christopher Duskin
Edited by: Peter S. Elliot
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Panavision Super Speed Lenses
A Camera Operator: Second Unit
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Camera Operator
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Camera Operator: "d" Camera, Second Unit, Manila
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera
Think Like a Man (2012)
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot
Cameras: Red Epic Camera
Camera Operator / Camera Operator: "b" Camera - 10 Episodes, 2016
House of Lies (2012)
Directed by: Stephen Hopkins, Matthew Carnahan, Daisy von Scherler Mayer, Don Cheadle, Adam Bernstein, John Dahl, Michael Uppendahl, Miguel Arteta, Seith Mann, Beth McCarthy-Miller, Anton Cropper, David Von Ancken, Uta Briesewitz, Michael Lehmann, Victor Nelli Jr., Jessika Borsiczky, Gary B. Goldman, Helen Hunt, Craig Zisk
Edited by: Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras: ARRI ALEXA Camera
Camera Operator: "a" Camera, Second Unit
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Additional Camera Operator
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Camera Operator: Second Unit
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Camera Operator
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Camera Operator: Second Unit
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Camera Operator
Prom Night (2008)
Directed by: Nelson McCormick
Cinematography by: Checco Varese
Edited by: Jason Ballantine
"a" Camera Operator / "b" Camera Operator - 3 Episodes, 2008
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
"a" Camera Operator
'True Blood' Mine (2008)
Directed by: John Dahl
Cinematography by: Checco Varese
Edited by: Michael Ruscio
"a" Camera Operator
'True Blood' The First Taste (2008)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Additional Camera Operator: Second Unit
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
"b" Camera Operator
'True Blood' Strange Love (2008)
Directed by: Alan Ball
Cinematography by: Checco Varese
Camera Operator: "c" Camera
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Camera Operator
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Camera Operator
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Camera Operator
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Camera Operator
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "b" Camera
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Camera Operator
Radio (2003)
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Assistant Camera
A Decade Under the Influence (2003)
Edited by: Meg Reticker
Cameras: Sony HDW-F900 Camera
Camera Operator
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator: New York
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Cameraman
'Law & Order: Special Victims Unit' Secrets (2001)
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Abuse (2001)
Directed by: Richard Dobbs
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Pixies (2001)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Victims (2001)
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Paranoia (2001)
Directed by: Richard Dobbs
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Folly (2001)
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Runaway (2001)
Directed by: Richard Dobbs
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Consent (2001)
Directed by: James Quinn
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Parasites (2001)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Camera Operator
'Law & Order: Special Victims Unit' Pique (2001)
Directed by: Steve Shill
Cinematography by: George Pattison
Assistant Cameraman
'Law & Order: Special Victims Unit' Scourge (2001)
Directed by: Alex Zakrzewski
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Tangled (2001)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Repression (2001)
Directed by: Henry Bronchtein
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Honor (2000)
Directed by: Alan Metzger
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Nocturne (2000)
Directed by: Jean de Segonzac
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Wrong Is Right (2000)
Directed by: Ted Kotcheff
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Remorse (2000)
Directed by: Alexander Cassini
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Slaves (2000)
Directed by: Ted Kotcheff
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Chat Room (2000)
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Contact (2000)
Directed by: Michael Zinberg
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Entitled (2000)
Directed by: Edwin Sherin
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' The Third Guy (2000)
Directed by: Jud Taylor
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Misleader (2000)
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Disrobed (2000)
Directed by: David Platt
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Limitations (2000)
Directed by: Constantine Makris
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Russian Love Poem (2000)
Directed by: Rick Rosenthal
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Closure (2000)
Directed by: Stephen Wertimer
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Bad Blood (2000)
Directed by: Michael Fields
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Baby Killer (2000)
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Legacy (2000)
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Noncompliance (2000)
Directed by: Elodie Keene
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Taken (2000)
Directed by: Michael Fields
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Asunder (2000)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Closure: Part 2 (2000)
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
First Assistant Camera: Steadicam
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Assistant Cameraman
'Law & Order: Special Victims Unit' Payback (1999)
Directed by: Jean de Segonzac
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' A Single Life (1999)
Directed by: Lesli Linka Glatter
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' ...Or Just Look Like One (1999)
Directed by: Rick Rosenthal
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Hysteria (1999)
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Wanderlust (1999)
Directed by: David Hugh Jones
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Sophomore Jinx (1999)
Directed by: Clark Johnson
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman
'Law & Order: Special Victims Unit' Uncivilized (1999)
Directed by: Michael Fields
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Assistant Cameraman
'Law & Order: Special Victims Unit' Stalked (1999)
Directed by: Peter Medak
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Assistant Cameraman
'Law & Order: Special Victims Unit' Stocks & Bondage (1999)
Directed by: Constantine Makris
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Assistant Cameraman / Camera Operator - 44 Episodes, 1999-2001, Assistant Cameraman / First Assistant Camera / Camera Operator - 43 Episodes, 1999-2001
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
First Assistant Camera: New York
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
First Assistant Camera: Creature Unit
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
First Assistant Camera: "b" Camera
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Second Assistant Camera: New York And Pittsburgh
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Second Assistant Camera
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Second Assistant Camera: New York
Léon: The Professional (1994)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Camera Trainee
For Love or Money (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Oliver Wood
Edited by: Jim Miller
Camera Trainee
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
