Digital Matte Painter: DNEG
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Digital Matte Painter: Double Negative
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Matte Painter: Texture Artist - Double Negative
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Digital Matte Painter
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Matte Painter
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Matte Painter
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lead Environment Artist
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Matte Painter / Texture Artist
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Texture Artist: Weta Digital
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Texture Artist: Rising Sun Pictures
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Texture Artist: Rising Sun Pictures
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Texture Artist: Rising Sun Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Texture Artist: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Texture Artist: The Moving Picture Company
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Texture Artist: The Moving Picture Company - 2 Episodes, 2008
The Color of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Cameras: ARRIFLEX D-21 Camera
Texture Artist: The Moving Picture Company
'The Color of Magic' Part 2: The Light Fantastic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Texture Artist: The Moving Picture Company
'The Color of Magic' Part 1: The Colour of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Digital Effects Artist: VDouble Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Texture Artist: Double Negative
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Texture Artist: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Digital Artist: Double Negative
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Texture Artist: The Moving Picture Company
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Artist: Double Negative
Flyboys (2006)
Directed by: Tony Bill
Cinematography by: Henry Braham
Matchmover: Double Negative
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects: Double Negative
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Matchmover: Double Negative
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Digital Tracking
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
CG Artist: Jim Henson's Creature Shop
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Digital Tracking: Jim Henson's Creature Shop
It's a Very Merry Muppet Christmas Movie (2002)
Directed by: Kirk R. Thatcher
Cinematography by: Tony Westman
Edited by: Gregg Featherman
Cameras: Panavision Cameras
CG Tracking: Framestore CFC
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
CG Artist: Framestore CFC
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Digital Tracking: CFC , Matchmover: Framestore CFC
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
