Re-recording Mixer
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Re-recording Mixer
'Stranger Things' Chapter Two: Vecna's Curse (2022)
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Re-recording Mixer
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Re-recording Mixer
'Stranger Things' Chapter Five: The Nina Project (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Re-recording Mixer: Technicolor At Paramount
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
'Stranger Things' Chapter Seven: The Bite (2019)
Cinematography by: Lachlan Milne
Re-recording Mixer
'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)
Cinematography by: Lachlan Milne
Re-recording Mixer
'Stranger Things' Chapter Four: The Sauna Test (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Re-recording Mixer
'Stranger Things' Chapter Three: The Case of the Missing Lifeguard (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Additional Re-recording Mixer: Technicolor At Paramount
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Re-recording Mixer
'Stranger Things' Chapter Two: The Mall Rats (2019)
Re-recording Mixer
'Stranger Things' Chapter One: Suzie, Do You Copy? (2019)
Re-recording Mixer
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Re-recording Mixer
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Re-recording Mixer
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer: Formosa Group
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Re-recording Mixer
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
'Game of Thrones' Dragonstone (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Re-recording Mixer - 17 Episodes, 2019-2022, Re-recording Mixer - 8 Episodes, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Re-recording Mixer
Why Him? (2016)
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Re-recording Mixer
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Lights Out (2016)
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
Additional Re-recording Mixer
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Re-recording Mixer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Re-recording Mixer
In Fear (2013)
Directed by: Jeremy Lovering
Cinematography by: David Katznelson
Edited by: Jonathan Amos
Re-recording Mixer
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Re-recording Mixer
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Re-recording Mixer - 1 Episode, 2017
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Adr Mixer / Re-recording Mixer
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Temp Mix
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Re-recording Mixer
Age of Heroes (2011)
Directed by: Adrian Vitoria
Cinematography by: Mark Hamilton
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Re-recording Mixer
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Re-recording Mixer
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Re-recording Mixer
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
Adr Mixer
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Mix Technician
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Re-recording Mixer
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Re-recording Mixer
Last Chance Harvey (2008)
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Re-recording Mixer
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Re-recording Mixer
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Re-Recording Mixer
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Re-recording Mixer
Virgin Territory (2007)
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Re-recording Mixer
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Re-recording Mixer
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Foley Mixer
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
