B Camera 1st Ac
Maestro (2023)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Michelle Tesoro
Lenses: Panavision PVintage Prime Lenses
1st AC B Camera/steadicam
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
First Ac B Camera
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
First Ac A Camera/steadicam
I Think We're Alone Now (2018)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Mini Camera
A Camera First Assistant
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
A Camera: Steadicam 1st Ac
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
A Camera First Assistant Camera
'Vinyl' The Racket (2016)
Directed by: S.J. Clarkson
Cinematography by: Reed Morano
Edited by: Tim Streeto
A Camera First Assistant Camera - 9 Episodes, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
A Camera First Assistant Camera
'Vinyl' Alibi (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
A Camera First Assistant Camera
'Vinyl' Rock and Roll Queen (2016)
Directed by: Carl Franklin
Cinematography by: David Franco
A Camera First Assistant Camera
'Vinyl' E.A.B. (2016)
Directed by: Jon S. Baird
Cinematography by: Reed Morano
A Camera First Assistant Camera
'Vinyl' The King and I (2016)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
A Camera First Assistant Camera
'Vinyl' Cyclone (2016)
Directed by: Nicole Kassell
Cinematography by: Reed Morano
A Camera First Assistant Camera
'Vinyl' He in Racist Fire (2016)
Directed by: Peter Sollett
Cinematography by: David Franco
Edited by: Kate Sanford
A Camera First Assistant Camera
'Vinyl' Whispered Secrets (2016)
Directed by: Mark Romanek
Cinematography by: David Franco
Edited by: Kate Sanford
A Camera First Assistant Camera
'Vinyl' Yesterday Once More (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
First Assistant Camera: B Camera / Steadicam Operator
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
A Camera: First Assistant: Second Unit
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
1st AC B Camera/steadicam
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
First Assistant Camera
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
First Assistant Camera: B-cam
'Girls' I Saw You (2014)
Directed by: Jesse Peretz
Cinematography by: Tim Ives
Edited by: Paul Zucker
First Assistant Camera: B-cam
'Girls' Role-Play (2014)
Directed by: Jesse Peretz
Cinematography by: Tim Ives
Edited by: Shawn Paper
First Assistant Camera: "b" Camera
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
First Assistant Camera: "b" Camera
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
First Assistant Camera: "b" Camera
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Ac A Camera/steadicam
'Girls' On All Fours (2013)
Directed by: Lena Dunham
Cinematography by: Tim Ives
Edited by: Shawn Paper
First Ac A Camera/steadicam
'Girls' It's Back (2013)
Directed by: Jesse Peretz
Edited by: Paul Zucker
A Camera First Assistant Camera 2nd Unit / First Assistant Camera
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
First Assistant Camera: "b" Camera
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Assistant Camera: "b" Camera
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
First Assistant Camera: "b" Camera, Second Unit
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
First Ac A Camera/steadicam / First Assistant Camera: B-cam - 5 Episodes, 2013-2014
Girls (2012)
Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra
Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras: ARRI ALEXA Camera
First Assistant Camera: B Camera And Steadicam
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
First Assistant Camera: "a" Camera
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
First Assistant Camera: "b" Camera
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
First Assistant Camera: "b" Camera
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera: "a" Camera
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
First Assistant Camera
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
First Assistant Camera: "b" Camera
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
A Camera First Assistant Camera
The Ministers (2009)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
First Assistant Camera: "b" Camera
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
First Assistant Camera: Second Unit
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
First Assistant Camera: New York
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Assistant Camera
'Law & Order: Special Victims Unit' Fight (2007)
Directed by: Juan José Campanella
Cinematography by: Phil Oetiker
Edited by: Karen I. Stern
First Assistant Camera: "b" Camera, New York
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
First Assistant Camera: "a" Camera
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
First Assistant Camera: New York
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
First Assistant Camera: "b" Camera
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
First Assistant Camera: "b" Camera
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
First Assistant Camera: "b" Camera
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
First Assistant Camera: "b" Camera
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Assistant Camera: Second Unit
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
First Assistant Camera: "b" Camera, New York
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
First Assistant Camera: "b" Camera, Steadicam
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
First Assistant Camera: "b" Camera
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
First Assistant Camera: Second Unit
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
First Assistant Camera
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
First Assistant Camera
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
First Assistant Camera: "b" Camera, New York
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
First Assistant Camera
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
First Assistant Camera
Anything Else (2003)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
First Assistant Camera
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
First Assistant Camera: "b" Camera
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
First Assistant Camera: "b" Camera, New York
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
First Assistant Camera: "b" Camera, New York
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Camera Assistant
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
First Assistant Camera: "b" Camera
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Second Assistant Camera
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Assistant Camera - 1 Episode, 2007
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
Second Assistant Camera: "a" Camera
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Second Assistant Camera: "a" Camera
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Second Assistant Camera: "b" Camera
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Second Assistant Camera: "a" Camera
The Day Lincoln Was Shot (1998)
Directed by: John Gray
Cinematography by: Ronald Víctor García
Edited by: Scott Vickrey
First Assistant Camera: "c" Camera
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Second Assistant Camera
American Buffalo (1996)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Second Assistant Camera
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Second Assistant Camera
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Second Assistant Camera: Second Unit
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Second Assistant Camera
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Camera Loader, Driver
Psycho IV: The Beginning (1990)
Directed by: Mick Garris
Cinematography by: Rodney Charters
Edited by: Charles Bornstein
