Re-recording Mixer
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Re-recording Mixer
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Re-recording Mixer: Harbor Picture Company
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer: Harbor Picture Company
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Re-recording Mixer
Dirty Grandpa (2016)
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
'Marco Polo' The Wolf and the Deer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Re-recording Mixer
'Marco Polo' The Heavenly and Primal (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Re-recording Mixer
'Marco Polo' Prisoners (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Re-recording Mixer
'Marco Polo' Feast (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Re-recording Mixer
'Marco Polo' Rendering (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Re-recording Mixer
'Marco Polo' The Scholar's Pen (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Re-recording Mixer
'Marco Polo' White Moon (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Re-recording Mixer
'Marco Polo' Hashshashin (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Re-recording Mixer
'Marco Polo' The Fourth Step (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Re-recording Mixer
Goodbye to All That (2014)
Directed by: Angus MacLachlan
Cinematography by: Corey Walter
Edited by: Jennifer Lilly
Cameras: ARRI ALEXA Series Cameras
Re-recording Mixer
'Marco Polo' The Wayfarer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Re-recording Mixer - 10 Episodes, 2014
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Re-recording Mixer
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Re-recording Mixer
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Re-recording Mixer
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Re-recording Mixer
Breakup at a Wedding (2013)
Directed by: Victor Quinaz
Cinematography by: Giovanni P. Autran
Cameras: Sony PMW-EX1 Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Re-recording Mixer
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Sound Re-recording Mixer
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Re-recording Mixer
Silent House (2011)
Cinematography by: Igor Martinovic
Cameras: Canon EOS-5D Mark II Camera
Lenses: Zeiss Compact Prime Lenses
Re-recording Mixer
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Re-recording Mixer
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Re-recording Mixer
Drive (2011)
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Re-recording Mixer
Higher Ground (2011)
Directed by: Vera Farmiga
Cinematography by: Michael McDonough
Edited by: Colleen Sharp
Cameras: Red One MX Camera
Re-recording Mixer
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Re-recording Mixer
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Recording Mixer: Sound One
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Miral (2010)
Directed by: Julian Schnabel
Cinematography by: Eric Gautier
Edited by: Juliette Welfling
Re-recording Mixer
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Re-recording Mixer
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Re-recording Mixer
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Re-recording Mixer
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Re-recording Mixer
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Re-recording Mixer
The Cove (2009)
Directed by: Louie Psihoyos
Cinematography by: Brook Aitken
Edited by: Geoffrey Richman
Cameras: Sony Other Camera, Sony PDW-F350 Camera
Additional Sound Re-recording Mixer
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Re-recording Mixer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Re-recording Mixer
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Additional Sound Re-recording Mixer
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Sound
The Loss of a Teardrop Diamond (2008)
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Honeydripper (2007)
Directed by: John Sayles
Cinematography by: Dick Pope
Edited by: John Sayles
Re-recording Mixer
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Re-recording Mixer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Re-recording Mixer
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Re-recording Mixer
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Re-recording Mixer
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Sound Mixer
The Hottest State (2006)
Directed by: Ethan Hawke
Cinematography by: Christopher Norr
Edited by: Adriana Pacheco
Re-recording Mixer
Sherrybaby (2006)
Directed by: Laurie Collyer
Cinematography by: Russell Lee Fine
Cameras: ARRI Cameras
Re-recording Mixer
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Re-recording Mixer
Duane Hopwood (2005)
Directed by: Matt Mulhern
Cinematography by: Mauricio Rubinstein
Edited by: Tom McArdle
Re-recording Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Re-recording Mixer
Vanity Fair (2004)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Re-recording Mixer
Pieces of April (2003)
Directed by: Peter Hedges
Cinematography by: Tami Reiker
Edited by: Mark Livolsi
Cameras: Sony DSR-PD150 Camera
Re-recording Mixer
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Re-recording Mixer
Personal Velocity (2002)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Re-recording Mixer
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
'The Wire' The Target (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Re-recording Mixer - 1 Episode, 2002
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Re-recording Mixer
Tadpole (2002)
Directed by: Gary Winick
Cinematography by: Hubert Taczanowski
Edited by: Susan Littenberg
Re-recording Mixer
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Re-recording Mixer
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Re-recording Mixer
Chelsea Walls (2001)
Directed by: Ethan Hawke
Cinematography by: Tom Richmond
Edited by: Adriana Pacheco
Re-recording Mixer
Wet Hot American Summer (2001)
Directed by: David Wain
Cinematography by: Ben Weinstein
Edited by: Meg Reticker
Re-recording Mixer
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Re-recording Mixer
The Safety of Objects (2001)
Directed by: Rose Troche
Cinematography by: Enrique Chediak
Edited by: Geraldine Peroni
Sound Mixer
The Photographer (2000)
Directed by: Jeremy Stein
Cinematography by: Vanja Cernjul
Edited by: Sylvia Waliga
Re-recording Mixer
The Opportunists (2000)
Directed by: Myles Connell
Cinematography by: Teodoro Maniaci
Edited by: Andy Keir
Re-recording Mixer
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Re-recording Mixer
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Re-recording Engineer
You Can Count on Me (2000)
Directed by: Kenneth Lonergan
Cinematography by: Stephen Kazmierski
Edited by: Anne McCabe
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Naked Man (1998)
Directed by: J. Todd Anderson
Cinematography by: Jeff Barklage
Adr Mixer: New York
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Sound Workstation Manager
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
