Lauren E. Polizzi

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

"Euphoria" You Who Cannot See, Think of Those Who Can | ShotOnWhat?

Set Designer

'Euphoria' You Who Cannot See, Think of Those Who Can (2022)

Directed by: Sam Levinson

Cinematography by: Marcell Rév

Edited by: Nikola Boyanov, Aaron I. Butler, Julio C. Perez IV

"Euphoria" The Theater and Its Double | ShotOnWhat?

Set Designer

'Euphoria' The Theater and Its Double (2022)

Directed by: Sam Levinson

Cinematography by: Marcell Rév

Edited by: Nikola Boyanov, Julio C. Perez IV, Laura Zempel

"Euphoria" All My Life, My Heart Has Yearned for a Thing I Cannot Name | ShotOnWhat?

Set Designer

'Euphoria' All My Life, My Heart Has Yearned for a Thing I Cannot Name (2022)

Directed by: Sam Levinson

Cinematography by: Marcell Rév

Edited by: Aaron I. Butler, Darrin Navarro, Julio C. Perez IV

Art Director

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Set Designer - 3 Episodes, 2022

Euphoria (2019)

Television Series

Directed by: Sam Levinson, Pippa Bianco, Augustine Frizzell, Jennifer Morrison

Cinematography by: Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang

Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Set Designer

Suburbicon (2017)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Art Director

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Art Director

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Art Director

The Hunger Games: Mockingjay - Part 2 (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

"American Horror Story" Checking In | ShotOnWhat?

Set Designer

'American Horror Story' Checking In (2015)

Directed by: Ryan Murphy

Cinematography by: Michael Goi

Edited by: Adam Penn

Art Director

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Art Director

The Hunger Games: Mockingjay - Part 1 (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Art Director

Saving Mr. Banks (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Art Director

Star Trek Into Darkness (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Set Designer

J. Edgar (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Set Designer - 1 Episode, 2015

American Horror Story (2011)

Television Series

Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba

Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman

Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Lenses, Panavision Lenses

Art Director

Cowboys & Aliens (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Autodesk Smoke Editing System

Set Designer

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Art Director

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Art Director

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Set Designer

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Art Director

Knocked Up (2007)

Directed by: Judd Apatow

Cinematography by: Eric Alan Edwards

Edited by: Craig Alpert, Brent White

Cameras: Panavision Cameras

Set Designer

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Lenses: Panavision Primo Anamorphic Lenses

Art Director

The TV Set (2006)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone

Art Director

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Set Designer

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Art Director

The Alamo (2004)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

A Series of Unfortunate Events | ShotOnWhat?

Set Designer

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Lenses: Panavision Primo Primes Spherical Lenses

Set Designer

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Assistant Art Director

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Art Director

How the Grinch Stole Christmas (2000)

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Art Director

'The X-Files' Tithonus (1999)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" Terms of Endearment | ShotOnWhat?

Art Director

'The X-Files' Terms of Endearment (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Rain King | ShotOnWhat?

Art Director

'The X-Files' The Rain King (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' S.R. 819 (1999)

Directed by: Daniel Sackheim

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' Arcadia (1999)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' Two Fathers (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Art Director

'The X-Files' Alpha (1999)

Directed by: Peter Markle

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' One Son (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

Art Director

'The X-Files' Agua Mala (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall, Lynne Willingham

Art Director

'The X-Files' Monday (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Art Director

'The X-Files' Trevor (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Art Director

'The X-Files' Biogenesis (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' Field Trip (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" Three of a Kind | ShotOnWhat?

Art Director

'The X-Files' Three of a Kind (1999)

Directed by: Bryan Spicer

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Set Designer

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Art Director

'The X-Files' Milagro (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Unnatural | ShotOnWhat?

Art Director

'The X-Files' The Unnatural (1999)

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" The Beginning | ShotOnWhat?

Art Director

'The X-Files' The Beginning (1998)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Assistant Art Director

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

"The X-Files" How the Ghosts Stole Christmas | ShotOnWhat?

Art Director

'The X-Files' How the Ghosts Stole Christmas (1998)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Dreamland II | ShotOnWhat?

Art Director

'The X-Files' Dreamland II (1998)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Art Director

'The X-Files' Dreamland (1998)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Art Director

'The X-Files' Triangle (1998)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Louise Innes

Art Director

'The X-Files' Drive (1998)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Assistant Art Director

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Lenses: Zeiss Super Speed Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Art Director

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Assistant Art Director / Set Designer

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Lenses: Panavision Lenses

Set Designer

Sgt. Bilko (1996)

Directed by: Jonathan Lynn

Cinematography by: Peter Sova

Edited by: Tony Lombardo

Assistant Art Director

Species (1995)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Set Designer

Devil in a Blue Dress (1995)

Directed by: Carl Franklin

Cinematography by: Tak Fujimoto

Edited by: Carole Kravetz Aykanian

Set Designer

Blue Chips (1994)

Directed by: William Friedkin

Cinematography by: Tom Priestley Jr.

Edited by: Robert K. Lambert, David Rosenbloom

Set Designer

Greedy (1994)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Set Designer

Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Art Director - 22 Episodes, 1998-1999

The X-Files (1993)

Television Series

Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth

Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn

Cameras: ARRI ALEXA XT Camera, ARRI ARRIFLEX Series Cameras, Panavision Cameras

Lenses: Panavision Lenses

Set Designer

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Set Designer

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Set Designer

V.I. Warshawski (1991)

Directed by: Jeff Kanew

Cinematography by: Jan Kiesser

Edited by: Debra Neil-Fisher, Carroll Timothy O'Meara

Cameras: Panavision Cameras

Set Designer

The Marrying Man (1991)

Directed by: Jerry Rees

Cinematography by: Donald E. Thorin

Edited by: Michael Jablow, Michael R. Miller, Michael Tronick

Set Designer

Great Balls of Fire! (1989)

Directed by: Jim McBride

Cinematography by: Affonso Beato

Edited by: Lisa Day, Pembroke J. Herring, Bert Lovitt

Cameras: Panavision Cameras

Production Assistant

Nickel Mountain (1984)