Randall D. Wilkins

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"Westworld" Les Écorchés | ShotOnWhat?

Set Designer

'Westworld' Les Écorchés (2018)

Television Episode

Directed by: Nicole Kassell

Cinematography by: M. David Mullen

Edited by: Anna Hauger

"Westworld" Reunion | ShotOnWhat?

Set Designer

'Westworld' Reunion (2018)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: John Grillo

Edited by: David Eisenberg

"Westworld" Journey into Night | ShotOnWhat?

Set Designer

'Westworld' Journey into Night (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Andrew Seklir

"Westworld" Virtù e Fortuna | ShotOnWhat?

Set Designer

'Westworld' Virtù e Fortuna (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Anna Hauger

"Westworld" The Riddle of the Sphinx | ShotOnWhat?

Set Designer

'Westworld' The Riddle of the Sphinx (2018)

Television Episode

Directed by: Lisa Joy

Cinematography by: John Grillo

Edited by: Andrew Seklir

"Westworld" Akane no Mai | ShotOnWhat?

Set Designer

'Westworld' Akane no Mai (2018)

Television Episode

Directed by: Craig Zobel

Cinematography by: Darran Tiernan

Edited by: David Eisenberg

"Westworld" Phase Space | ShotOnWhat?

Set Designer

'Westworld' Phase Space (2018)

Television Episode

Directed by: Tarik Saleh

Cinematography by: John Grillo

Edited by: Ron Rosen

"Westworld" Kiksuya | ShotOnWhat?

Set Designer

'Westworld' Kiksuya (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Darran Tiernan

Edited by: David Eisenberg

"Westworld" Vanishing Point | ShotOnWhat?

Set Designer

'Westworld' Vanishing Point (2018)

Television Episode

Directed by: Stephen Williams

Cinematography by: Darran Tiernan

Edited by: Ron Rosen

"Westworld" The Passenger | ShotOnWhat?

Set Designer

'Westworld' The Passenger (2018)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: John Grillo

Edited by: Anna Hauger, Mako Kamitsuna, Andrew Seklir

Spider-Man: Homecoming | ShotOnWhat?

Set Designer

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Westworld | ShotOnWhat?

Set Designer - 10 Episodes, 2018

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Passengers | ShotOnWhat?

Set Designer

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Star Trek Beyond | ShotOnWhat?

Set Designer

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Suicide Squad | ShotOnWhat?

Set Designer

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Set Designer

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Set Designer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

300: Rise of an Empire | ShotOnWhat?

Set Designer

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Oblivion | ShotOnWhat?

Set Designer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Set Designer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek Into Darkness | ShotOnWhat?

Set Designer

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Girl with the Dragon Tattoo | ShotOnWhat?

Set Designer

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Straw Dogs | ShotOnWhat?

Set Designer: Pre-visualization

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Super 8 | ShotOnWhat?

Set Designer

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Set Designer: Reshoots

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Social Network | ShotOnWhat?

Set Designer

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Jonah Hex | ShotOnWhat?

Set Designer

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Set Designer

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

He's Just Not That Into You | ShotOnWhat?

Set Designer

He's Just Not That Into You (2009)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

The Curious Case of Benjamin Button | ShotOnWhat?

Set Designer

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

The Express | ShotOnWhat?

Set Designer

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

National Treasure: Book of Secrets | ShotOnWhat?

Set Designer

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Disturbia | ShotOnWhat?

Set Designer

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

World Trade Center | ShotOnWhat?

Set Designer

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

National Treasure | ShotOnWhat?

Set Designer

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

The Alamo | ShotOnWhat?

Set Designer

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Set Designer

Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

Seabiscuit | ShotOnWhat?

Set Designer

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Sum of All Fears | ShotOnWhat?

Set Designer

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Catch Me If You Can | ShotOnWhat?

Set Designer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

S1m0ne | ShotOnWhat?

Lead Set Designer

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

The Glass House | ShotOnWhat?

Set Designer

The Glass House (2001)

Directed by: Daniel Sackheim

Cinematography by: Alar Kivilo

Edited by: Howard E. Smith

The Patriot | ShotOnWhat?

Set Designer

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Next Best Thing | ShotOnWhat?

Set Designer

The Next Best Thing (2000)

Directed by: John Schlesinger

Cinematography by: Elliot Davis

Edited by: Peter Honess

The Astronaut's Wife | ShotOnWhat?

Set Designer

The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Saving Private Ryan | ShotOnWhat?

Research Specialist

Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Godzilla | ShotOnWhat?

Set Designer

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Pleasantville | ShotOnWhat?

Set Designer

Pleasantville (1998)

Directed by: Gary Ross

Cinematography by: John Lindley

Edited by: William Goldenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Alien: Resurrection | ShotOnWhat?

Set Designer

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gattaca | ShotOnWhat?

Set Designer

Gattaca (1997)

Directed by: Andrew Niccol

Cinematography by: Slawomir Idziak

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX Camera, Moviecam Cameras

Down Periscope | ShotOnWhat?

Set Designer

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Courage Under Fire | ShotOnWhat?

Set Designer

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Crimson Tide | ShotOnWhat?

Set Designer

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Money Train | ShotOnWhat?

Set Designer

Money Train (1995)

Directed by: Joseph Ruben

Cinematography by: John Lindley

Edited by: George Bowers, Bill Pankow

Baby's Day Out | ShotOnWhat?

Set Designer

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

On Deadly Ground | ShotOnWhat?

Set Designer

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

The Big Picture | ShotOnWhat?

Carpenter

The Big Picture (1989)

Directed by: Christopher Guest

Cinematography by: Jeffrey Jur

Edited by: Martin Nicholson

Bad Dreams | ShotOnWhat?

Construction Assistant

Bad Dreams (1988)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

The New Adventures of Pippi Longstocking | ShotOnWhat?

Special Effects Crew

The New Adventures of Pippi Longstocking (1988)

Directed by: Ken Annakin

Cinematography by: Roland 'Ozzie' Smith

Edited by: Ken Zemke

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