Visual Effects: Rhythm & Hues
'Game of Thrones' Beyond the Wall (2017)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Tim Porter
Visual Effects: Rhythm & Hues
'Game of Thrones' The Dragon and the Wolf (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects: Rhythm & Hues Studios
'Game of Thrones' Battle of the Bastards (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Rhythm & Hues Studios
'Game of Thrones' The Dance of Dragons (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Look Development Supervisor: Rhythm & Hues Studios
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Visual Effects: Framestore/Rhythm & Hues Studios
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Look Development Supervisor: Rhythm & Hues Studios
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Look Development Supervisor: Rhythm & Hues Studios
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Look Development Supervisor: Rhythm & Hues Studios
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Look Development Supervisor: Rhythm & Hues Studios
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Visual Effects: Rhythm & Hues / Visual Effects: Rhythm & Hues Studios - 4 Episodes, 2015-2017
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Look Development Supervisor: Rhythm & Hues Studios
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Look Development: Rhythm & Hues Studios
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Look Development Lead: Rhythm & Hues Studios
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Look Development Lead: Rhythm & Hues
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Technical Animation Supervisor: Rhythm & Hues
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Technical Animation Supervisor: Rhythm & Hues Studios
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Technical Animation Supervisor: Rhythm & Hues
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Technical Animation Lead: Rhythm & Hues
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Lead Technical Animator: Rhythm & Hues
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Technical Animation Lead: Rhythm & Hues
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Compositor: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Pre-visualization Artist
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Technical Director: Rendering
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Tracking Artist: Cinesite
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Motion Tracker: Cinesite
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Digital Artist: Cinesite
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Digital Artist: Lighting
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Matchmover
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Technical Director: CG Modelling & Rendering, Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Motion Tracker
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Digital Artist
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
CG Modeler: Cinesite / Digital Artist
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Technical Assistant Supervisor
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Technical Assistant Supervisor
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Technical Assistant Supervisor
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Technical Assistant
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Technical Assistant
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Technical Assistant Supervisor
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
