John Kilkenny

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Deadpool | ShotOnWhat?

Visual Effects Executive

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

The Martian | ShotOnWhat?

Visual Effects Executive

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Kingsman: The Secret Service | ShotOnWhat?

Visual Effects Executive

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

The Maze Runner | ShotOnWhat?

Visual Effects Executive

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Exodus: Gods and Kings | ShotOnWhat?

Visual Effects Executive

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X-Men: Days of Future Past | ShotOnWhat?

Visual Effects Executive

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Visual Effects Executive

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Life of Pi | ShotOnWhat?

Visual Effects Executive: Fox

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mr. Popper's Penguins | ShotOnWhat?

Visual Effects Executive

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Rise of the Planet of the Apes | ShotOnWhat?

Visual Effects Executive

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Visual Effects Executive

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Black Swan | ShotOnWhat?

Visual Effects Executive

Black Swan (2010)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Zeiss Ultra 16 Lenses

Editing System: Avid Editing System

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Visual Effects Executive: Fox

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

The A-Team | ShotOnWhat?

Visual Effects Executive: Fox

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Visual Effects Executive: Fox

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Visual Effects Executive: Fox

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Visual Effects Executive: Fox

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Visual Effects Executive: Fox

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

X-Men: The Last Stand | ShotOnWhat?

Visual Effects Executive: Fox

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Night at the Museum | ShotOnWhat?

Visual Effects Executive: Fox

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

I, Robot | ShotOnWhat?

Associate Producer, Visual Effects Producer

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Garfield | ShotOnWhat?

Associate Producer, Visual Effects Producer

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Daredevil | ShotOnWhat?

Visual Effects Producer

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Dr. Dolittle 2 | ShotOnWhat?

Visual Effects Producer

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Gone in Sixty Seconds | ShotOnWhat?

Visual Effects Producer

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Trek: Insurrection | ShotOnWhat?

Visual Effects Producer: Blue Sky/VIFX

Star Trek: Insurrection (1998)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses

Conspiracy Theory | ShotOnWhat?

Visual Effects Producer: Digital Domain

Conspiracy Theory (1997)

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

Titanic | ShotOnWhat?

Visual Effects Producer: Digital Domain

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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