Sound Designer
The Girl in the Spider's Web (2018)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Sound Designer
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Sound Effects Editor
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Sound Effects Recordist
Bølgen (2015)
Directed by: Roar Uthaug
Cinematography by: John Christian Rosenlund
Edited by: Christian Siebenherz
Cameras: Red Epic Dragon Camera
Sound Effects Editor
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Sound Effects Editor
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Foley Editor
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Foley Editor
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Sound Effects Editor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Temp Conform Editor
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Sound Design, Sound Effects Editor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Co-supervising Sound Editor
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Sound Supervisor / Sound Effects Editor, Sound Effects Recordist
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Sound Effects Editor
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Sound Designer / Supervising Sound Editor
For Your Consideration (2006)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera
Sound Effects Editor
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Supervising Sound Editor
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Additional Sound Designer / Additional Sound Effects Editor
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Effects Editor
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Supervising Sound Editor
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Adr Editor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Sound Effects Editor
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Not Another Teen Movie (2001)
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Foley Editor
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Supervising Sound Editor
Best in Show (2000)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton Cameras
Sound Effects Editor
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Sound Effects Editor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Buffalo '66 (1998)
Directed by: Vincent Gallo
Cinematography by: Lance Acord
Edited by: Curtiss Clayton
Lenses: Zeiss Super Speed Lenses
Sound Effects Recordist
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Supervising Sound Editor
Shadow Conspiracy (1997)
Directed by: George P. Cosmatos
Cinematography by: Buzz Feitshans IV
Edited by: Robert A. Ferretti
Sound Effects Editor
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Sound Editor
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Supervising Sound Editor
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Sound Effects Editor
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Supervising Sound Editor
Super Mario Bros. (1993)
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Dialogue Editor / Sound Effects Editor
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Sound Effects Editor
The Long Walk Home (1990)
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Sound Effects Editor
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Sound Editor
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Sound Effects Editor
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Sound Effects Editor
Heathers (1988)
Directed by: Michael Lehmann
Cinematography by: Francis Kenny
Edited by: Norman Hollyn
Editing System: Moviola Editing System
Sound Editor
Like Father Like Son (1987)
Directed by: Rod Daniel
Cinematography by: Jack N. Green
Edited by: Lois Freeman-Fox
