First Assistant Director: Second Unit, Additional Photography, First Assistant Director: Second Unit-additional Photography
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
First Assistant Director: Montreal
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
First Assistant Director: Second Unit
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
First Assistant Director: Second Unit
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
First Assistant Director: Second Unit
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
First Assistant Director: Second Unit
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Key Second Assistant Director: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
First Assistant Director: Second Unit , Second Assistant Director
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
First Assistant Director: Los Angeles
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
First Assistant Director
'New Girl' Sister II (2014)
Directed by: Bill Purple
Cinematography by: Russ T. Alsobrook
Edited by: Kabir Akhtar
First Assistant Director: Sheared Credit
Reach Me (2014)
Directed by: John Herzfeld
Cinematography by: Vern Nobles
Edited by: Steven Cohen
Cameras: Red Epic Camera
Second Assistant Director: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
First Assistant Director: Aerial Unit
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Director: Additional Photography
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
First Assistant Director: Second Unit
Escape Plan (2013)
Directed by: Mikael Håfström
Cinematography by: Brendan Galvin
Edited by: Elliot Greenberg
Cameras: ARRI ALEXA Camera
First Assistant Director: Second Unit
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Second Assistant Director: Second Unit
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
First Assistant Director: Surf Unit
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
First Assistant Director: Additional Photography
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
First Assistant Director - 1 Episode, 2014
New Girl (2011)
Directed by: Trent O'Donnell, Erin O'Malley, Jake Kasdan, Fred Goss, Max Winkler, Jay Chandrasekhar, Jesse Peretz, Lynn Shelton, Steve Welch, Josh Greenbaum, Russ T. Alsobrook, Peyton Reed, Eric Appel, Tristram Shapeero, Lorene Scafaria, Bill Purple, Christine Gernon, Michael Schultz, Jason Winer, Steve Pink, Michael Spiller, Alec Berg, Elizabeth Meriwether, Alex Hardcastle, Miguel Arteta, John Hamburg, Daniel Attias, Neal Brennan, Nanette Burstein, Larry Charles, Tucker Gates, Troy Miller, Matt Shakman, David Wain, Jason Woliner, Craig Zisk, Andrew Fleming, Nicholas Jasenovec, David Katzenberg, Matt Sohn, Richie Keen, Steven K. Tsuchida, Reginald Hudlin, Zooey Deschanel, Jake Johnson, Dana Fox, Lamorne Morris
Edited by: Steve Welch, Hugh Ross, Giselle Murillo, Brian Merken, Kabir Akhtar, Keenan Hiett, Dan Schalk, Catherine Haight, Matthew Freund, Abby Gentsch
Cameras: ARRI ALEXA Camera
First Assistant Director: Second Unit
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
First Assistant Director: Additional Photography
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
First Assistant Director: Second Unit
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Key Second Assistant Director
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
First Assistant Director: Second Unit
Bobby Z (2007)
Directed by: John Herzfeld
Cinematography by: John Bailey
Second Assistant Director: Second Unit
The Comebacks (2007)
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Key Second Assistant Director
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Second Assistant Director: Chicago
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Key Second Assistant Director: Boston, Second Unit
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Key Second Assistant Director, Vincent Taub
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Second Assistant Director: Second Unit
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Second Assistant Director
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Key Second Assistant Director: Second Unit
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Second Assistant Director: Second Unit
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Key Second Assistant Director
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Additional Second Assistant Director: Florida
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Key Staff Assistant, Spotter
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Key Second Assistant Director
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Second Second Assistant Director: Minnesota
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Second Second Assistant Director
Assassins (1995)
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
