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Jack Lewars

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Digital Intermediate Colorist

The Giver  (2014)

| South Africa, Canada, USA
Directed by: Phillip Noyce
Cinematography by: Ross Emery

Digital Intermediate Colorist

Jack & Diane  (2012)

| USA
Directed by: Bradley Rust Gray
Cinematography by: Anne Misawa

Digital Intermediate Colorist: Dailies. Deluxe Labs New York

Thanks for Sharing  (2012)

| USA
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe

Digital Intermediate Colorist

Our Idiot Brother  (2011)

| USA
Directed by: Jesse Peretz
Cinematography by: Yaron Orbach

Digital Intermediate Colorist

Return  (2011)

| USA
Directed by: Liza Johnson
Cinematography by: Anne Etheridge
Edited by: Paul Zucker

Digital Intermediate Assist

The Extra Man  (2010)

| France, USA
Cinematography by: Terry Stacey
Edited by: Robert Pulcini

Digital Intermediate Colorist

Happythankyoumoreplease  (2010)

| USA
Directed by: Josh Radnor
Cinematography by: Seamus Tierney

Digital Intermediate Assistant

Greenberg  (2010)

| USA
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto

Digital Intermediate Colorist

Stingray Sam  (2009)

| USA
Directed by: Cory McAbee
Cinematography by: Scott Miller
Edited by: Andrew Blackwell

Digital Intermediate Assistant Colorist

Hachi: A Dog's Tale  (2009)

| UK, USA
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden

Assistant Digital Intermediate Colorist

The Limits of Control  (2009)

| USA, Japan
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz

Digital Intermediate Colorist

Veronika Decides to Die  (2009)

| USA
Directed by: Emily Young
Cinematography by: Seamus Tierney

Digital Intermediate Assistant

Away We Go  (2009)

| USA, UK
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack

Digital Intermediate Assistant Colorist / Digital Intermediate Editor

Gigantic  (2008)

| USA
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul

Digital Intermediate Assistant Colorist

Marley & Me  (2008)

| USA
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi

Digital Intermediate Assistant Colorist

Cadillac Records  (2008)

| USA
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank

Digital Intermediate Editor: Deluxe EFilm Toronto

Synecdoche, New York  (2008)

| USA
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen

Assistant Color Timer: Efilm

Wind Chill  (2007)

| USA, UK
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy

Digital Colorist: Efilm

Tortilla Heaven  (2007)

| USA
Directed by: Judy Hecht Dumontet
Cinematography by: Chuy Chávez

Digital Intermediate Colorist Assist

Payback: Straight Up  (2006)

| USA
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt

Assistant Color Timer: Efilm

Aquamarine  (2006)

| USA
Cinematography by: Brian J. Breheny
Edited by: Jane Moran

Digital Colorist Assist: EFilm

The Painted Veil  (2006)

| China, USA, Canada
Directed by: John Curran
Cinematography by: Stuart Dryburgh

Assistant Color Timer, Digital Colorist Assistant

Nacho Libre  (2006)

| Germany, USA
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber

Assistant Color Timer: Efilm

The Fountain  (2006)

| Canada, USA
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz

Assistant Color Timer: Efilm

Snakes on a Plane  (2006)

| USA, Germany
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith

Assistant Color Timer: Efilm

Inside Man  (2006)

| USA
Directed by: Spike Lee
Cinematography by: Matthew Libatique

Digital Color Assistant

Ultraviolet  (2006)

| USA
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh

Assistant Color Timer: Efilm

Running Scared  (2006)

| Germany, USA
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn

Assistant Color Timer: Efilm

Casanova  (2005)

| USA
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein

Assistant Color Timer: Efilm

Cursed  (2005)

| Germany, USA
Directed by: Wes Craven
Cinematography by: Robert McLachlan

Assistant Color Timer: Efilm

Jarhead  (2005)

| USA, UK, Germany
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch

Assistant Color Timer: Efilm

Dawn of the Dead  (2004)

| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie

Assistant Color Timer: Efilm

Starsky & Hutch  (2004)

| USA
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones

Assistant Color Timer: Efilm

The Bourne Supremacy  (2004)

| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras:

Assistant Color Timer: Efilm

The Butterfly Effect  (2004)

| USA, Canada
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson

Assistant Color Timer: Efilm

Vanity Fair  (2004)

| USA, UK, India
Directed by: Mira Nair
Cinematography by: Declan Quinn

Assistant Color Timer: Efilm

Hellboy  (2004)

| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson

Assistant Color Timer: Efilm / Digital Colorist Assist

Down with Love  (2003)

| USA, Germany
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock

Assistant Color Timer: Efilm

Mona Lisa Smile  (2003)

| USA
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley

Assistant Color Timer: Efilm

Daredevil  (2003)

| USA
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core

Assistant Color Timer: Efilm

The Rundown  (2003)

| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson

Assistant Color Timer: Efilm

Blue Crush  (2002)

| USA, Germany
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox

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