Digital Intermediate Colorist
Good Time (2017)
Cinematography by: Sean Price Williams
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Super Speed Lenses
Digital Intermediate Colorist
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Digital Intermediate Colorist
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Colorist
'Years of Living Dangerously' Ice & Brimstone (2014)
Cinematography by: Maryse Alberti, Conny Fridh, Wolfgang Held, Ronan Killeen, Tjitte Jan Nieuwkoop, Lucian Read, Rick Rowley, Adam Stone
Digital Intermediate Colorist
'Years of Living Dangerously' End of the Woods (2014)
Digital Intermediate Colorist
'Years of Living Dangerously' The Surge (2014)
Cinematography by: Maryse Alberti, Paul Atkins, Ben Bloodwell, Wolfgang Held, Ronan Killeen, Lucian Read, Rick Rowley
Digital Intermediate Colorist
'Years of Living Dangerously' Dry Season (2014)
Digital Intermediate Colorist
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Digital Intermediate Colorist - 9 Episodes, 2014
Years of Living Dangerously (2014)
Directed by: Tom Casciato, Martha Jeffries, Drew Magratten, Ivy Meeropol, Jon Meyersohn, Jonathan Schienberg, Sydney Trattner, David Gelber
Cinematography by: Ronan Killeen, Wolfgang Held, Lucian Read, Maryse Alberti, Rick Rowley, Philipp Friesenbichler, Paul Atkins, Joshua Echevarria, Brad Serreno, Christoph Vitt, Ben Bloodwell, David McFarland, Gustavo Acosta, James Adolphus, Nora Ballard, Peter Grigsby, Conny Fridh, Nick Higgins, Joseph Hudson, Tjitte Jan Nieuwkoop, Jato C. Smith, Adam Stone, Diana Wilmar, Andrew Black, Alberto Marquardt, Fred Miller, Mark Moormann
Digital Intermediate Colorist
'Years of Living Dangerously' Moving a Mountain (2014)
Digital Intermediate Colorist
'Years of Living Dangerously' A Dangerous Future (2014)
Digital Intermediate Colorist
'Years of Living Dangerously' Winds of Change (2014)
Digital Intermediate Colorist
'Years of Living Dangerously' True Colors (2014)
Digital Intermediate Colorist
'Years of Living Dangerously' Revolt, Rebuild, Renew (2014)
Cinematography by: Maryse Alberti, Wolfgang Held, Ronan Killeen, David McFarland, Lucian Read, Rick Rowley, Jato C. Smith
Digital Intermediate Colorist: Dailies. Deluxe Labs New York
Thanks for Sharing (2012)
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist
Jack & Diane (2012)
Directed by: Bradley Rust Gray
Cinematography by: Anne Misawa
Digital Intermediate Colorist
Our Idiot Brother (2011)
Directed by: Jesse Peretz
Cinematography by: Yaron Orbach
Colorist: Dailies
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Intermediate Colorist
Return (2011)
Directed by: Liza Johnson
Cinematography by: Anne Etheridge
Edited by: Paul Zucker
Cameras: ARRIFLEX 416 Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Assist
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Digital Intermediate Assist
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Colorist
Happythankyoumoreplease (2010)
Directed by: Josh Radnor
Cinematography by: Seamus Tierney
Edited by: Michael R. Miller
Digital Intermediate Assistant
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Digital Intermediate Colorist
3 Backyards (2010)
Directed by: Eric Mendelsohn
Cinematography by: Kasper Tuxen
Cameras: Red One Camera
Digital Intermediate Colorist
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Digital Intermediate Colorist
Veronika Decides to Die (2009)
Directed by: Emily Young
Cinematography by: Seamus Tierney
Edited by: Úna Ní Dhonghaíle
Digital Intermediate Colorist
Stingray Sam (2009)
Directed by: Cory McAbee
Cinematography by: Scott Miller
Edited by: Andrew Blackwell
Digital Intermediate Assistant
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Digital Intermediate Assistant Colorist
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Assistant Digital Intermediate Colorist
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Digital Intermediate Assistant
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Digital Intermediate Assistant Colorist
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Digital Intermediate Assistant Colorist / Digital Intermediate Editor
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Digital Intermediate Editor: Deluxe EFilm Toronto
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Digital Intermediate Assistant Colorist
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Assistant Color Timer: Efilm
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Digital Colorist: Efilm
Tortilla Heaven (2007)
Directed by: Judy Hecht Dumontet
Cinematography by: Chuy Chávez
Assistant Color Timer: Efilm
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Assistant Color Timer: Efilm
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Assistant Color Timer: Efilm
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Assistant Color Timer: Efilm
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Assistant Color Timer, Digital Colorist Assistant
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Digital Color Assistant
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Digital Colorist Assist: EFilm
The Painted Veil (2006)
Directed by: John Curran
Cinematography by: Stuart Dryburgh
Edited by: Alexandre de Franceschi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Color Timer: Efilm
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Digital Intermediate Colorist Assist
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Assistant Color Timer: Efilm
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Digital Color Assist: Efilm
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Assistant Color Timer: Efilm
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Digital Colorist: Efilm, Digital Film Colorist
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Assistant Color Timer: Efilm
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Assistant Color Timer: Efilm
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Assistant Color Timer: Efilm
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Assistant Color Timer: Efilm
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Assistant Color Timer: Efilm
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Assistant Color Timer: Efilm
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Assistant Color Timer: EFilm
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Assistant Color Timer: Efilm
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Assistant Color Timer: Efilm
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Assistant Color Timer: Efilm
Vanity Fair (2004)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Assistant Color Timer: Efilm
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Assistant Color Timer: Efilm
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Color Timer: Efilm
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Color Timer: Efilm
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Digital Colorist: Efilm
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Assistant Color Timer: Efilm / Digital Colorist Assist
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Assistant Color Timer: Efilm
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Assistant Color Timer: Efilm
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Assistant Color Timer: Efilm
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox