Adr Mixer
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Adr Mixer
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Adr Mixer
The Hunted (2003)
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Adr Mixer
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Adr Mixer
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Eyeball Eddie (2001)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Matthew Jensen
Adr Mixer
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Adr Mixer
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Adr Mixer
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Adr Mixer
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Adr Mixer
Under Suspicion (2000)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Adr Mixer
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Adr Mixer
Passion of Mind (2000)
Directed by: Alain Berliner
Cinematography by: Eduardo Serra
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Adr Mixer
Road Trip (2000)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Adr Mixer
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Additional Sound Effects
The Last Days (1998)
Directed by: James Moll
Cinematography by: Harris Done
Edited by: James Moll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Dirty Work (1998)
Directed by: Bob Saget
Cinematography by: Arthur Albert
Edited by: George Folsey Jr.
Adr Mixer
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Adr Mixer
Zero Effect (1998)
Directed by: Jake Kasdan
Cinematography by: Bill Pope
Edited by: Tara Timpone
Foley Mixer
First Time Felon (1997)
Directed by: Charles S. Dutton
Cinematography by: Jeffrey Jur
Edited by: Anthony Sherin
Adr Mixer
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Adr Mixer: Todd-AO Studios
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Foley Mixer
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Adr Mixer / Foley Mixer
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Adr Mixer / Foley Mixer
The Trigger Effect (1996)
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Adr Mixer
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Adr Mixer: Los Angeles
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Adr Mixer
Sleepers (1996)
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Adr Mixer
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Foley Mixer
While You Were Sleeping (1995)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Adr Mixer
Jade (1995)
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Adr Mixer
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Adr Mixer
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Adr Mixer
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Adr Mixer
Powder (1995)
Directed by: Victor Salva
Cinematography by: Jerzy Zielinski
Edited by: Dennis M. Hill
Adr Mixer: Los Angeles
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Adr Mixer
Casper (1995)
Directed by: Brad Silberling
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Cameras: Panavision Cameras
Adr Mixer
Empire Records (1995)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Edited by: Michael Chandler
Adr Mixer
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Adr Mixer / Foley Mixer
Blue Chips (1994)
Directed by: William Friedkin
Cinematography by: Tom Priestley Jr.
Adr Mixer / Foley Mixer
The Cowboy Way (1994)
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Foley Mixer
Blue Sky (1994)
Directed by: Tony Richardson
Cinematography by: Steve Yaconelli
Edited by: Robert K. Lambert
Cameras: ARRI Cameras
Adr Mixer
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Foley Mixer
Flesh and Bone (1993)
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Adr Mixer
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Adr Mixer
Army of One (1993)
Directed by: Vic Armstrong
Cinematography by: Daniel L. Turrett
Edited by: Paul Morton
Cameras: Todd-AO CineSpace 70 Camera
Adr Mixer
And the Band Played On (1993)
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Foley Mixer
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Adr Mixer
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Adr & Foley Recording / Foley Mixer
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Adr Mixer
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Adr Mixer
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Re-recording Mixer
Once Upon a Crime... (1992)
Directed by: Eugene Levy
Cinematography by: Giuseppe Rotunno
Edited by: Patrick Kennedy
Foley Mixer
Man Trouble (1992)
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
Adr Mixer
Boyz n the Hood (1991)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Foley Mixer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Adr Mixer
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Adr Mixer
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Foley Mixer
Men at Work (1990)
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Foley Mixer
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Foley Mixer
When Harry Met Sally... (1989)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Foley Mixer
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Foley Mixer: Los Angeles
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Foley Artist
Planes, Trains & Automobiles (1987)
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Foley Mixer
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Foley Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Foley Mixer
Band of the Hand (1986)
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Foley Mixer
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Foley Mixer
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
