Additional Re-recording Mixer
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Re-recording Mixer: International Versions
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Additional Re-recording Mixer
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Additional Re-recording Mixer
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Sound Re-recording Mixer: Brazilian Version / Sound Re-recording Mixer: Japanese Version
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Re-recording Mixer: International Versions
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Re-recording Mixer , Re-recording Mixer - Additional
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Additional Re-recording Mixer
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Prom (2011)
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Re-recording Mixer
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Supervising Re-recording Mixer
Punching the Clown (2009)
Directed by: Gregori Viens
Cinematography by: Ian Campbell
Edited by: Gregori Viens
Re-recording Mixer
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Sound Mixer
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Re-recording Mixer
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Re-recording Mixer
What Doesn't Kill You (2008)
Directed by: Brian Goodman
Cinematography by: Christopher Norr
Edited by: Robert Hoffman
Supervising Re-recording Mixer
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Re-recording Mixer
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Supervising Re-recording Mixer
Waist Deep (2006)
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Sound Mixing
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Supervising Re-recording Mixer
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Re-recording Mixer
Beauty Shop (2005)
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Re-recording Mixer
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Re-recording Sound Mixer
Walking Tall (2004)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Re-recording Mixer
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Re-recording Mixer
Club Dread (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Re-recording Sound Mixer
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Re-recording Mixer
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Supervising Re-recording Mixer
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Supervising Re-recording Mixer
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Re-recording Mixer
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Re-recording Sound Mixer
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Re-recording Mixer
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Re-recording Mixer
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Re-recording Mixer
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Re-recording Mixer
Best in Show (2000)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton Cameras
Music Re-recording Mixer, Temp Mix
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Re-recording Mixer
'Buffy the Vampire Slayer' This Year's Girl (2000)
Directed by: Michael Gershman
Cinematography by: Raymond Stella
Edited by: Nancy Forner
Re-recording Mixer
Return to Me (2000)
Directed by: Bonnie Hunt
Cinematography by: László Kovács
Edited by: Garth Craven
Re-recording Mixer
'Buffy the Vampire Slayer' Something Blue (1999)
Directed by: Nick Marck
Cinematography by: Michael Gershman
Edited by: Nancy Forner
Re-recording Mixer
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Sound Re-recordist
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Supervising Re-recording Mixer
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Re-recording Mixer
Dirty Work (1998)
Directed by: Bob Saget
Cinematography by: Arthur Albert
Edited by: George Folsey Jr.
Supervising Re-recording Mixer
One True Thing (1998)
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses
Supervising Re-recording Mixer
A Night at the Roxbury (1998)
Directed by: John Fortenberry
Cinematography by: Francis Kenny
Edited by: Jay Kamen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Re-recording Mixer - 2 Episodes, 1999-2000
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Re-recording Mixer
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Re-recording Mixer
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Re-recording Mixer
Kansas City (1996)
Directed by: Robert Altman
Cinematography by: Oliver Stapleton
Edited by: Geraldine Peroni
Sound Re-recordist
Powder (1995)
Directed by: Victor Salva
Cinematography by: Jerzy Zielinski
Edited by: Dennis M. Hill
Additional Sound Re-recording Mixer
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Supervising Re-recording Mixer
Lord of Illusions (1995)
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Re-recording Mixer
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Re-recording Mixer: Skywalker Sound
Corrina, Corrina (1994)
Directed by: Jessie Nelson
Cinematography by: Bruce Surtees
Edited by: Lee Percy
Supervising Re-recording Mixer
The New Age (1994)
Directed by: Michael Tolkin
Cinematography by: John J. Campbell
Edited by: Suzanne Fenn
Re-recording Mixer
Safe Passage (1994)
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Supervising Re-recording Mixer
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Re-recording Mixer
The Wrong Man (1993)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Re-recording Mixer
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Re-recording Mixer: Skywalker Sound
Silent Tongue (1993)
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Rerecording Mixer
Fortress (1992)
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Mixer: Soundtrack, Skywalker Sound, Supervising Re-recording Mixer
Baraka (1992)
Directed by: Ron Fricke
Cinematography by: Ron Fricke
Cameras: Todd-AO 65mm Camera
Lenses: Schneider Lenses
Re-recording Mixer
Salmonberries (1991)
Directed by: Percy Adlon
Cinematography by: Newton Thomas Sigel
Edited by: Conrad M. Gonzalez
Re-recording Mixer
He Said, She Said (1991)
Cinematography by: Stephen H. Burum
Edited by: Sidney Levin
Cameras: Panavision Cameras
Re-recording Mixer
Awakenings (1990)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Re-Recording Mixer , Sound Effects
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Re-recording Mixer
Kindergarten Cop (1990)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Re-recording Mixer: JDH Sound , Sound Effects
Drugstore Cowboy (1989)
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman
Re-recording Mixer
Powwow Highway (1989)
Directed by: Jonathan Wacks
Cinematography by: Toyomichi Kurita
Edited by: Jim Stewart
Re-recording Mixer
DeepStar Six (1989)
Directed by: Sean S. Cunningham
Cinematography by: Mac Ahlberg
Edited by: David Handman
Re-recording Mixer: JDH Sound
Driving Miss Daisy (1989)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer: Lorimar Studios
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Re-recording Mixer
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Re-recording Mixer
It's Alive III: Island of the Alive (1987)
Directed by: Larry Cohen
Cinematography by: Daniel Pearl
Edited by: David Kern
Re-recording Mixer / Sound Effects
P.I. Private Investigations (1987)
Directed by: Nigel Dick
Edited by: Scott Chestnut
Re-recording Mixer
Armed Response (1986)
Directed by: Fred Olen Ray
Cinematography by: Paul Elliott
Edited by: Miriam L. Preissel
